L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard

Damar Jinanto
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Abstract

Considering that film is a form of social practice, it mostly brings social topic to be discussed. In this context, a film is a tool to talk about the problems within the society. Topic about power relation in certain social arena is present in Un prophète (The Prophet), directed by Jacques Audiard. This film tells a story about Malik El-Diebena living behind the bars for six years. In the prison, El-Diebena, who is the part of Arabian community, has had conflict with César Luciani, the leader of Corsican community. He had to find a strategy to fight against César. This article talks about power relation among the characters to fight against social structure based on the narrative and cinematographic aspects by using the concept of power relation by Pierre Bourdieu.  The film provides the social hierarchy of the characters based on the capitals that apply in the prison as social arena. Bourdieu’s concept also shows the power exchange between them. This interaction depends on the amounts of the capitals that each characters have.  The result explains the power system between the characters and the social arena regarding the capital accumulation hold in prison. The social capitals lead to the position shifts in this arena. The text portrays the characters’ efforts to obtain the capitals that are necessaries in the power exchange.
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权力交换:雅克·欧迪亚的电影《先知》中监狱生活的反映
考虑到电影是一种社会实践的形式,它主要带来社会话题的讨论。在这种背景下,电影是一种谈论社会问题的工具。雅克·欧迪亚导演的《预言家》(Un proprotte, The Prophet)中就存在着一定社会舞台上的权力关系问题。这部电影讲述了Malik El-Diebena在监狱里生活了六年的故事。在监狱里,El-Diebena是阿拉伯社区的一部分,与科西嘉社区的领导人cassiar Luciani发生了冲突。他必须找到一个对抗csamar的策略。本文运用皮埃尔·布迪厄的权力关系概念,从叙事和电影两个方面来探讨角色之间对抗社会结构的权力关系。影片以监狱作为社会舞台的资本为基础,提供了人物的社会等级。布迪厄的概念也显示了他们之间的权力交换。这种交互取决于每个字符的大写字母的数量。结果解释了监狱中资本积累的人物与社会舞台之间的权力体系。社会资本导致了这一领域的地位变化。文章描绘了人物为获得权力交换所必需的资本而付出的努力。
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