Commissioning a Visual Legacy: Louis John Steele and Sir John Logan Campbell

Jane Davidson-Ladd
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Abstract

In 2017, Louis John Steele’s portrait of Sir John Logan Campbell at Kilbryde, c.1902, emerged on the auction market after over a century in private hands. It is a fascinating portrait of one Auckland’s earliest and most celebrated Pākehā citizens. The portrait is Steele’s most ambitious portrait and shows him creatively adapting the British aristocratic portrait tradition to the New Zealand context. No commissioning documents have been traced for the portrait, however a close reading of the painting alongside Campbell’s papers reveal it is filled with highly personal symbolism. The provenance of the painting is also uncovered through this research. Examination of the Kilbryde portrait with Steele’s five other portraits of Campbell demonstrates Campbell’s desire to leave a lasting visual legacy.
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委托视觉遗产:路易斯·约翰·斯蒂尔和约翰·洛根·坎贝尔爵士
2017年,路易斯·约翰·斯蒂尔(Louis John Steele)在基尔布赖德(Kilbryde)创作的约翰·洛根·坎贝尔爵士(Sir John Logan Campbell)的肖像画出现在拍卖市场上,这幅肖像画于1902年左右被私人收藏了一个多世纪。这是奥克兰最早和最著名的Pākehā市民的迷人肖像。这幅肖像是斯蒂尔最雄心勃勃的肖像,展示了他创造性地将英国贵族肖像传统融入新西兰的背景。这幅肖像没有任何委托文件,但是仔细阅读这幅画和坎贝尔的文件就会发现它充满了高度的个人象征意义。这幅画的出处也通过这次研究得以揭示。将基尔布赖德的肖像与斯蒂尔的其他五幅坎贝尔的肖像相比较,可以看出坎贝尔想要留下持久的视觉遗产的愿望。
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