Borges’Pierre Menard, Author of the Quixoteand the Idea of a European Consensus

Sionaidh Douglas-Scott
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Abstract

This chapter examines aspects of the European consensus, taking as its starting point Jorge Luis Borges’ intriguing parable, Pierre Menard, Author of the Quixote. The story is about Menard’s seemingly impossible and preposterous, but ultimately realized, exercise of rewriting the Cervantes Don Quixote in the 20th century. Applied to human rights, it provides a valuable insight. For it suggests that the universal appeal that certain cultural norms (in our case, human rights) possess is partly explained by the very fact that divergent cultures and histories can somehow simultaneously converge on the same understandings. Human rights norms may be the product of diverse and varied cultural, historical and legal systems. Yet the different legal resources in the member states of the European Convention may nonetheless provide a basis for a consensus. Consensus implies some sort of accord, but there are many ways to reach an accord, and all sorts of interesting and stimulating questions, including literary ones, such as those of Borges, to be asked about this process.
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博尔赫斯的皮埃尔·梅纳德,《堂吉诃德》和《欧洲共识》的作者
本章考察了欧洲共识的各个方面,以博尔赫斯引人入胜的寓言《堂吉诃德的作者皮埃尔·梅纳德》为起点。这个故事是关于梅纳德看似不可能和荒谬的,但最终实现的,在20世纪重写塞万提斯堂吉诃德的练习。应用于人权,它提供了宝贵的见解。因为它表明,某些文化规范(在我们的例子中是人权)所具有的普遍吸引力,在一定程度上可以用这样一个事实来解释,即不同的文化和历史可以以某种方式同时汇聚在相同的理解上。人权规范可能是多种多样的文化、历史和法律制度的产物。然而,《欧洲公约》成员国的不同法律资源可能为达成共识提供基础。共识意味着某种程度的一致,但达成一致的方式有很多种,也有各种有趣而刺激的问题,包括文学问题,比如博尔赫斯的问题,可以被问到这个过程。
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