A comparative study of painting and architecture stylistics of contemporary Iranian and western arts

Sina Sattari Sarbanqoli, Sirus Jamali
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Abstract

Iranian art reflects the spirit and inclinations of Iranians, regardless of place and time of origin. Another point is the diversity of works of art which shows that the ancient Iranians had high skills in different regions. Iranian architecture and painting have always been present side by side and influentially throughout history, and this connection persists until today in contemporary Iranian art. The present article is a research on the features and concepts of architectural and painting styles in contemporary Iranian art and a comparative comparison of these two arts which is centered on the concept of architecture and painting. The contemporary architectural styles and tendencies in question date back to the first and subsequent Pahlavi rule. The general objectives of the research are to apply the styles of painting and architecture in Iranian art to achieve the same conceptualism of these two arts. For this purpose, three main categories have been studied: the first part is contemporary Iranian architecture, the second part is contemporary Iranian painting and the third part is a comparative comparison of contemporary Iranian architectural and painting styles. The present research is an analytical and comparative research and the research method is based on the application of styles and logical reasoning. Documentary and library studies and theories of experts are also the basis of this article.
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当代伊朗和西方艺术的绘画和建筑文体学比较研究
伊朗艺术反映了伊朗人的精神和倾向,无论他们来自哪个地方和时间。另一点是艺术作品的多样性,这表明古伊朗人在不同地区拥有很高的技能。伊朗的建筑和绘画在历史上一直是并排存在的,并且在当代伊朗艺术中一直存在这种联系,直到今天。本文以建筑和绘画的概念为中心,对当代伊朗艺术中建筑和绘画风格的特征和概念进行研究,并对这两种艺术进行比较。所讨论的当代建筑风格和趋势可以追溯到第一次和随后的巴列维统治。研究的总体目标是在伊朗艺术中应用绘画和建筑风格,以实现这两种艺术的相同概念主义。为此,研究了三个主要类别:第一部分是当代伊朗建筑,第二部分是当代伊朗绘画,第三部分是当代伊朗建筑和绘画风格的比较。本文的研究是一种分析比较研究,研究方法基于风格和逻辑推理的应用。文献文献研究和专家理论也是本文研究的基础。
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