Challenging the Perpetrators’ Narrative: A Critical Reading of the Photo Album ‘Resettlement of the Jews from Hungary’

U. Koppermann
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引用次数: 3

Abstract

In the discourse on photographs taken by the SS or the Wehrmacht at concentration camps, ghettos, and during mass shootings, the ‘perpetrators’ gaze’ or ‘perpetrators’ perspective’ is referred to repeatedly. Notwithstanding the ubiquity of the term, theoretical or empirical approaches to the issue are largely missing from the discussion. Drawing on a well-known photo album produced by SS-photographers at the Auschwitz II (Birkenau) concentration camp in 1944, this article analyses the photographic mediation and narration of events preceding the mass murder of hundreds of thousands of Jewish deportees from Hungary. To this end, the paper explores the limited scope of the representation, the construction of an alleged rationale behind the murder and various dimensions of photography in the context of violence.
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挑战加害者的叙述:《匈牙利犹太人重新安置》画册的批判性解读
在关于党卫军或国防军在集中营、隔都和大规模枪击期间拍摄的照片的论述中,“肇事者的凝视”或“肇事者的视角”被反复提及。尽管这一术语无处不在,但在讨论中基本上缺少对这一问题的理论或经验方法。本文以1944年奥斯威辛二号(比克瑙)集中营党卫军摄影师制作的一本著名相册为基础,分析了数十万被驱逐出匈牙利的犹太人被大规模屠杀之前的摄影调解和事件叙述。为此,本文探讨了表现的有限范围,谋杀背后所谓的理论基础的构建以及暴力背景下摄影的各种维度。
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