A Conceptual Model for the Analysis of Site-Specific Installations

T. Scholte
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Abstract

In the previous chapter, I argued for a broader notion of site specificity than the connectivity between the artwork and the physical location of display. The institutional and sociocultural contexts of production and reception were also identified as parameters for a site-specific installation, leading to my suggestion to conceive site specificity as a network of site-specific functions. In the current chapter, I develop a conceptual model for the analysis of site-specific installation artworks to understand how this network is formed and transforms over time. The model consists of two parts, one focusing on a categorization of the various functions of site specificity; the other proposing a methodology to compare successive iterations of the artwork and to analyse which “factors of influence” cause changes at a particular biographical stage.
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特定场所装置分析的概念模型
在前一章中,我提出了一个更广泛的场地特异性概念,而不是艺术品与展示的物理位置之间的联系。生产和接受的制度和社会文化背景也被确定为特定场地装置的参数,这导致我建议将场地特殊性视为特定场地功能的网络。在当前的章节中,我开发了一个概念模型来分析特定地点的装置艺术作品,以了解这个网络是如何随着时间的推移而形成和转变的。该模型由两部分组成,一部分侧重于对场地特殊性的各种功能进行分类;另一个提出了一种方法来比较艺术作品的连续迭代,并分析哪些“影响因素”导致特定传记阶段的变化。
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Jason Rhoades’s SLOTO Appendix List of Interviews Conducted by the Author Site-Specific Installation Art in Historical Perspective The Problem of the Perpetuation of Site-Specific Installation Art
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