{"title":"“The Best Tradition Goes On”: Audience Consumption and the Transformation of Popular Theatre in Neoliberal Ghana","authors":"J. Shipley","doi":"10.1163/9789047413790_007","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":210908,"journal":{"name":"Producing African Futures","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Producing African Futures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789047413790_007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}