Questioni ecologiche nella produzione di Giana Anguissola e Gianni Rodari

M. Rossitto
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Abstract

The aim of this paper is to examine ecological issues in Italian children’s literature by focusing on the works of two Italian writers who criticize, from different perspectives, the lack of ecological awareness in modern humans. The writers are Giana Anguissola (1906–1966), loved by the young female readership of the day for her vividly ironic style and rounded female characters, and Gianni Rodari (1920–1980), effectively combining realism and fantasy to encourage his readers’ critical thinking. Anguissola’s Le straordinarie vacanze di Violetta (1964) places the protagonists of her prior Milan-set Violetta la timida in the new setting of the Piacenza countryside, where charismatic Don Piero has revived ancient farming practices: the local farmers do not use chemical fertilizers, machines or herbicides, and they transport their produce to the town by carts. Rodari explicitly addresses ecological themes in some of his articles and in two stories: “Il pifferaio e le automobili” (Tante storie per giocare, 1971) and “Il mondo in scatola” (Novelle fatte macchina, 1973). In the former tale, the narrative unfolds in a city completely overrun by cars, and in the latter, a surreal plot revolves around the problem of waste.
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生产吉阿尼索拉和吉阿尼·罗达里的生态问题
本文的目的是通过两位意大利作家的作品来审视意大利儿童文学中的生态问题,他们从不同的角度批评现代人缺乏生态意识。作者是吉安娜·安圭索拉(Giana Anguissola, 1906-1966)和吉安尼·罗达里(Gianni Rodari, 1920-1980),前者因其生动的讽刺风格和丰满的女性角色而受到当时年轻女性读者的喜爱,后者有效地将现实主义与幻想结合起来,鼓励读者进行批判性思考。安圭索拉的《维奥莱塔的生活》(Le straordinarie vacanze di Violetta)(1964)将她之前以米兰为背景的《维奥莱塔的生活》(Violetta la timida)的主人公置于皮亚琴扎乡村的新环境中,魅力非凡的唐·皮耶罗(Don Piero)在那里复兴了古老的农业实践:当地农民不使用化肥、机器或除草剂,他们用手推车把农产品运到镇上。罗达里在他的一些文章和两个故事中明确地谈到了生态主题:“Il pifferaio e le automobili”(《地理故事》,1971年)和“Il mondo in scatola”(《小说》,1973年)。在前一个故事中,故事展开在一个完全被汽车泛滥的城市,而在后一个故事中,一个超现实的情节围绕着浪费问题展开。
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