Dances in the park: The pre-history of the Maynardville Open Air Theatre

Sheila Chisholm, T. Hauptfleisch
{"title":"Dances in the park: The pre-history of the Maynardville Open Air Theatre","authors":"Sheila Chisholm, T. Hauptfleisch","doi":"10.4314/sisa.v34i1.3","DOIUrl":null,"url":null,"abstract":"There is a popular belief that Cape Town’s Maynardville Theatre was founded in 1955, and first used in 1956, as the brainchild of the two professional actresses Cecilia Sonnenberg and René Ahrenson. While this is true of the Shakespeare-in-the-Park productions over the years, the use of Maynardville as a performance venue dates back to 1950 and the efforts of Margaret Molteno, the Athlone Committee for Nursery School Education and the University of Cape Town Ballet Company. This article traces the evolution of the popular theatre venue from the first production of a triple bill (comprising Les Sylphides, St Valentine’s Night and Les Diversions) in a makeshift theatre in the Maynardville Park grounds in 1950, to the introduction of Shakespeare in 1956, and ultimately the outdoor theatre of today with its annual Shakespeare and ballet productions. The Shakespearean history is already well-documented, so this article focuses more specifically on the somewhat forgotten role played by ballet productions in that history. The article includes a short history of the original property and the creation of the public park, as well as a full list of the ballets and plays performed at Maynardville since 1950.","PeriodicalId":334648,"journal":{"name":"Shakespeare in Southern Africa","volume":"103 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/sisa.v34i1.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

There is a popular belief that Cape Town’s Maynardville Theatre was founded in 1955, and first used in 1956, as the brainchild of the two professional actresses Cecilia Sonnenberg and René Ahrenson. While this is true of the Shakespeare-in-the-Park productions over the years, the use of Maynardville as a performance venue dates back to 1950 and the efforts of Margaret Molteno, the Athlone Committee for Nursery School Education and the University of Cape Town Ballet Company. This article traces the evolution of the popular theatre venue from the first production of a triple bill (comprising Les Sylphides, St Valentine’s Night and Les Diversions) in a makeshift theatre in the Maynardville Park grounds in 1950, to the introduction of Shakespeare in 1956, and ultimately the outdoor theatre of today with its annual Shakespeare and ballet productions. The Shakespearean history is already well-documented, so this article focuses more specifically on the somewhat forgotten role played by ballet productions in that history. The article includes a short history of the original property and the creation of the public park, as well as a full list of the ballets and plays performed at Maynardville since 1950.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
公园里的舞蹈:梅纳德维尔露天剧院的史前
人们普遍认为开普敦的梅纳德维尔剧院成立于1955年,并于1956年首次使用,是两位专业女演员塞西莉亚·索南伯格和雷诺·阿伦森的创意。虽然这是多年来莎翁在公园里演出的真实情况,但梅纳德维尔作为演出场地的使用可以追溯到1950年,这是玛格丽特·莫尔特诺(Margaret Molteno)、Athlone幼儿园教育委员会和开普敦大学芭蕾舞团的努力。这篇文章追溯了流行剧院场地的演变,从1950年在梅纳德维尔公园的一个临时剧院里第一次制作三bill(包括Les Sylphides, St Valentine 's Night和Les Diversions),到1956年引入莎士比亚,最后到今天每年都有莎士比亚和芭蕾作品的户外剧院。莎士比亚的历史已经有了很好的记载,所以这篇文章更具体地关注芭蕾作品在这段历史中所扮演的有点被遗忘的角色。这篇文章包括原始财产的简短历史和公共公园的创建,以及自1950年以来在梅纳德维尔演出的芭蕾舞和戏剧的完整列表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Sovereign States: Byatt, Bard and coronations “To the elements be free”: Carnivalising the legacy of Shakespeare in Margaret Atwood’s Hag-Seed Transforming Romeo and Juliet in a Juvenile Detention Centre in Italy: A decolonising approach to Prison Shakespeare Exploring Gender Relations via Shakespeare: Students’ perspectives on Shakespeare’s life Revisiting B.B. Mdledle’s isiXhosa translation of Macbeth (1959): Prophecy, tragedy and history
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1