Centering women on post-2010 Chinese TV

Jamie J. Zhao, Eve Ng
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引用次数: 2

Abstract

This introduction to the special issue on the topic of “Centering Women on Post-2010 Chinese TV” presents a brief review of major topics in the scholarship on televisual representations of women in contemporary China. The issue includes five research articles that, collectively, address research gaps in studies of post-2010 Chinese televisual-cultural discourses to do with ethnic minority women, women’s media authorship, women’s extramarital romance, and national heroines of the COVID-19 pandemic. We propose novel focuses for examining women’s plural roles and subjectivities on and off the TV screen. We thus call for complex understandings that move beyond the predominant attention of existing scholarship on conventional depictions of women as (virtuous) wives, (good) mothers, (inspirational) female professionals or heroines, and masculine feminist girls. Instead, this special issue sheds light on the polyvalent and contested positionality of Chinese women as gendered, ethnicized, (trans)nationalized, and romanticized subjects during a (post-)globalization and (post-)pandemic age.
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以女性为中心的2010后中国电视
《以女性为中心的2010年后中国电视》特刊的引言简要回顾了当代中国女性电视表现学术研究的主要议题。本期包括五篇研究文章,共同解决了2010年后中国电视文化话语在少数民族女性、女性媒体作者、女性婚外恋和COVID-19大流行民族英雄等方面的研究空白。我们提出了新的视角来审视女性在电视屏幕内外的多重角色和主体性。因此,我们呼吁进行复杂的理解,超越现有学术界对女性(贤惠的)妻子、(善良的)母亲、(鼓舞人心的)女性专业人士或女英雄以及男性女权主义女孩的传统描绘。相反,这一特殊问题揭示了中国女性在(后)全球化和(后)大流行时代作为性别化、民族化、(跨)国家化和浪漫化主体的多重价值和有争议的地位。
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