Tabla Gharānā Recognition from Tabla Solo Recordings

R. Gowriprasad., V. Venkatesh, Sri Rama Murty K
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引用次数: 1

Abstract

Tabla is a percussion instrument in North Indian music tradition. Teaching practices and performances of tabla are based on stylistic schools called gharana-s. Gharana-s are characterized by their unique playing technique, finger posture, improvisations, and compositional patterns (signature patterns). Recognizing the gharana information from a tabla performance is hence helpful to characterize the performance. In this paper, we explore an approach for gharana recognition from solo tabla recordings by searching for the characteristic tabla phrases in these recordings. The tabla phrases are modeled as sequences of strokes, and characteristic phrases from the gharana compositions are chosen as query patterns. The recording is automatically transcribed into a syllable sequence using Hidden Markov Models (HMM). The Rough Longest Common Subsequence (RLCS) approach is used to search for the query pattern instances. A decision rule is proposed to recognize the gharana from the patterns.
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手鼓是北印度音乐传统中的一种打击乐器。手鼓的教学实践和表演基于被称为gharana-s的风格流派。Gharana-s的特点是其独特的演奏技巧,手指姿势,即兴创作和作曲模式(签名模式)。因此,从手鼓演奏中识别出伽罗那的信息有助于表征该演奏。在本文中,我们探索了一种从手鼓独奏录音中搜索特征手鼓短语来识别嘎拉那的方法。手鼓短语被建模为笔画序列,并从伽罗那作曲中选择特征短语作为查询模式。录音自动转录成音节序列使用隐马尔可夫模型(HMM)。使用粗糙最长公共子序列(RLCS)方法搜索查询模式实例。提出了一种从模式中识别格拉纳的决策规则。
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