Going digital in a small city hub

K. Beeler, Stan Beeler
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Abstract

With the COVID-19 pandemic, the screen arts in the form of video production, Zoom recordings, and the posting of videos on YouTube and Facebook have become important tools to maintain community activities even while physical interaction is impossible. They provide a semblance of normalcy by facilitating a social “everydayness” in the face of dramatic disruption. While many essays in this volume focus on the impact of the pandemic in the large metropolis, this essay is concerned with the community life of the smaller city. More specifically, this essay addresses the value of screen culture in two key areas: the production and performance of community theater via Zoom;and the use of video technology and platforms for the recording and viewing of online canine sports. This essay argues that the shifting of face-to-face interaction to various forms of online and onscreen expression has created new ways of connecting performers and audiences while preserving a sense of “everydayness” during a time when in-person interaction is extremely limited. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.
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在一个小城市中心走向数字化
随着新冠疫情的扩散,视频制作、Zoom录制、在YouTube和Facebook上上传视频等屏幕艺术,在无法进行实际互动的情况下,成为维持社区活动的重要工具。面对巨大的混乱,它们通过促进社会的“日常生活”,提供了一种正常的表象。虽然本卷中的许多文章侧重于大流行病对大都市的影响,但这篇文章关注的是小城市的社区生活。更具体地说,本文讨论了屏幕文化在两个关键领域的价值:通过Zoom制作和表演社区戏剧;以及使用视频技术和平台来记录和观看在线狗运动。本文认为,面对面互动向各种形式的在线和屏幕表达的转变,创造了连接表演者和观众的新方式,同时在面对面互动极其有限的时代保留了一种“日常”感。©2022选择和编辑事项,Irene Gammel和Jason Wang;个别章节,贡献者。
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