Le cas de « Terre-Noire » dans la saga des Nuits de Sylvie Germain

Mara Blanche Magnavacca
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Abstract

Terre-Noire, the family hamlet of the Péniel clan in the saga Nuits by Sylvie Germain, probably corresponds to a heterotopia crisis: a place reserved for family members only. Foucault explained different heterotopias in 1967, and places such as Terre- Noire perfectly exemplify his postulatse. Terre-Noire continues to be the scene of family dramas and is the setting for a troubled and traumatized clan. It is the first of literary places marked by Germain and it bears witness to family history, and above all to French history, during the two Great Wars. The place changes, undergoes metamorphoses and sometimes even suffers partial destruction, recreating on a small scale the destruction and violence present in European cities during wartime. Conflicts reach Terre-Noire with their share of suffering and mourning, and the Péniel family space embodies the place of war by presenting all the features of a deadly space. The heterotopia represented by Terre-Noire questions the notion of time, inseparable from considerations by 20th century geocritics. Also, heterotopia establishes a peculiar heterochrony which must be understood through questioning the force of the memory of the place, both in its fictitious aspect induced by the literary form, and in the historical turn of the story.
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西尔维·日尔曼的《黑夜传奇》中的“黑大地”案例
西尔维·杰曼(Sylvie Germain)的传奇小说《努伊茨》(Nuits)中,帕姆尼埃尔家族的小村庄Terre-Noire很可能对应着一场异托邦危机:一个只为家族成员保留的地方。福柯在1967年解释了不同的异托邦,而像黑地这样的地方就是他的假设的完美例证。黑地仍然是家庭戏剧的场景,是一个陷入困境和创伤的氏族的背景。它是第一个以日耳曼为标志的文学场所,它见证了两次世界大战期间的家族史,尤其是法国历史。这个地方发生了变化,经历了蜕变,有时甚至遭受了部分破坏,在小范围内重现了战时欧洲城市的破坏和暴力。冲突带着痛苦和哀悼到达黑地,而psamniel家庭空间通过呈现一个致命空间的所有特征体现了战争场所。《黑色土地》所代表的异托邦对时间概念提出了质疑,这与20世纪地理批评家的考虑是分不开的。此外,异托邦建立了一种特殊的异时性,必须通过质疑对这个地方的记忆力量来理解,无论是在文学形式诱导的虚构方面,还是在故事的历史转折方面。
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