Digital Simulation and Reinterpretation for Pattern from Art Heritages

X. Yu, Zeshi Chen, Shiwen Wang
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引用次数: 1

Abstract

In the digital age, cultural communication depends not only on the expansion of emerging media but also on the transformation of language and information. Art and cultural heritage represent a repository of highly condensed information that through digital transformation can be extracted from a single object to create a new set of products that multiply the original possibilities in other unimagined forms. This is a process of technique, and a process of art as well. This paper mainly introduces two research projects hosted by JALAB last year, which were related to "glaze crack pattern" and "Vortex Pattern" from art heritage in Shanghai Museum. The purpose is not to discover new theory or invent new technology, but to apply existing digital techniques to find morphological rules in cultural symbols and to create easy-to-use design tools, so that with the help of which people have no background in mathematics or design skills can also create things that are not only derived from traditional culture but also have a sense of contemporary.
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艺术遗产中图案的数字模拟与再解读
在数字时代,文化传播不仅依赖于新兴媒体的扩张,也依赖于语言和信息的转换。艺术和文化遗产代表了高度浓缩的信息储存库,通过数字化转换,可以从单个对象中提取出一套新的产品,以其他无法想象的形式增加原有的可能性。这是一个技术的过程,也是一个艺术的过程。本文主要介绍了JALAB去年主持的两个研究项目,分别与上海博物馆艺术遗产中的“釉裂纹”和“漩涡纹”有关。其目的不是为了发现新的理论或发明新的技术,而是运用现有的数字技术,在文化符号中寻找形态规律,创造出易于使用的设计工具,让没有数学背景或设计技能的人也能借助这些工具,创造出既源自传统文化又具有时代感的东西。
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