Dos nuevas tipologías por la inmersión de lo digital y la pérdida de lo analógico: arquitectura diagrama y arquitectura fenómeno

Laura Jiménez
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Abstract

In a time of mixtures and slidings, current architecture is generated based on multidisciplinary languages away from traditional ways. Modern architecture was a natural consequence of the Avant-Garde which was motivated by emotional conditions because of specific events. Contemporary architecture responds to new paradigms too, being the most important and influential: the massive digital immersion nowadays. The mechanisms repeat the same processes from other disciplines. Philosophy, literature, visual art or science offer new approaches and languages to architecture. Due to the influence of the use of digital media architecture activates two mechanisms: on the one hand, as data compression by the fact of being diagrams as designs (buildings); on the other hand, as interface among environment and person, activating the phenomenon as a exchange mechanism between real and virtual concept.
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数字沉浸和模拟缺失的两种新类型:架构图和架构现象
在一个混合和滑动的时代,当前的建筑是基于多学科语言而不是传统方式生成的。现代建筑是先锋派的自然产物,它是由特定事件的情感条件所驱动的。当代建筑也回应了新的范式,最重要和最有影响力的是:当今大规模的数字沉浸。这些机制重复了其他学科的相同过程。哲学、文学、视觉艺术或科学为建筑提供了新的方法和语言。由于数字媒体使用的影响,建筑激活了两种机制:一方面,作为数据压缩的图作为设计(建筑)的事实;另一方面,作为环境与人之间的界面,激活现象作为真实与虚拟概念之间的交换机制。
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