The sociopragmatic nature of interjections in Early Modern English drama comedy

Ursula Lutzky
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Abstract

Interjections have been studied for all periods in the history of English, ranging from the study of Old English exclamations such as hwaet (Brinton 2017) to the pragmatic functions of forms such as oops in Present Day English (Lutzky and Kehoe 2017). The Early Modern English (EModE) period represents a turning point as it witnessed an increase in dialogic and speech-related text types, including drama comedy and trial proceedings. Nevertheless, despite recent advances in the compilation and especially the sociopragmatic annotation of corpora, EModE pragmatic markers have not been studied extensively over the last decade. This article addresses this gap by offering an investigation into the sociopragmatic nature of interjections in EModE drama comedy. It is based on the sociopragmatically annotated Drama Corpus which includes a total of 242,561 words from the period 1500 to 1760. Taking a data-driven, form-to-function mapping approach, this study explores the use of interjections in the Drama Corpus with a focus on their distribution according to sociopragmatic variables. The aim of this study is to contribute to reaching a more comprehensive understanding of pragmatic marker use in EModE.
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近代早期英语戏剧喜剧中感叹词的社会语用性质
在英语历史的各个时期,人们都对感叹词进行了研究,从对古英语感叹词的研究,如hwaet (Brinton 2017),到现代英语中感叹词的语用功能,如oops (Lutzky and Kehoe 2017)。早期现代英语(EModE)时期是一个转折点,因为它见证了对话和言语相关文本类型的增加,包括戏剧、喜剧和审判程序。然而,尽管最近在语料库的编译,特别是社会语用注释方面取得了进展,EModE语用标记在过去十年中并没有得到广泛的研究。本文通过对EModE戏剧喜剧中感叹词的社会语用性质的调查来解决这一差距。它是基于社会语用注释的戏剧语料库,其中包括从1500年到1760年的242561个单词。采用数据驱动的形式到功能映射方法,本研究探讨了戏剧语料库中感叹词的使用,重点关注了它们根据社会语用变量的分布。本研究的目的是为了更全面地理解EModE中语用标记的使用。
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