Changes In The Function Of Manimbong Music In The Rambu Tuka' Ceremony Of The Toraja People

Indry Ayu Novita, Syahrul Syah Sinaga, S. Sunarto
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Abstract

Talking about traditional music, it is important to discuss the religious beliefs of the people around the music. This also applies to the Toraja tribe, which is located in the mountainous region of the southern island of Sulawesi. One of the arts that exist within the Toraja environment is Manimbong. Manimbong is a Torajan art form that combines two arts, music and dance, performed by a group of men at the Rambu Tuka' ceremony. This art is known as the art of Aluk Todolo (Toraja tribal religion). The introduction of Christianity in Toraja society has also affected some Toraja cultures. This research aims to see the changes in function that occur in Manimbong. In analyzing this research to see changes in the function of Manimbong using descriptive qualitative research methods. Primary and secondary data were obtained using observation, interview, and document study data collection techniques. Credibility criteria as a basis for conducting data validation techniques and data triangulation are in the standard of degrees of trust. The conclusion of this research is that Manimbong is not an art owned by Aluk Todolo or Christian, but belongs to all Toraja people. In addition, in the process of changing its function, Manimbong changes according to the context of several things, such as changes in the meaning of the poem of Manimbong itself in both Christianity and Aluk Todolo, as well as in the context in which Manimbong is performed or staged.                                                                                                     
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托拉加人的兰布图卡仪式中万年峰音乐功能的变化
谈到传统音乐,重要的是要讨论音乐周围人们的宗教信仰。这也适用于位于苏拉威西岛南部山区的托拉贾部落。托拉加环境中存在的一种艺术是万文奉。Manimbong是托拉加人的一种艺术形式,结合了音乐和舞蹈两种艺术,由一群男人在Rambu Tuka仪式上表演。这种艺术被称为Aluk Todolo (Toraja部落宗教)的艺术。基督教在托拉查社会的引入也影响了一些托拉查文化。此次研究的目的是观察万年峰的功能变化。在分析本研究中使用描述性定性研究方法来观察万年峰功能的变化。通过观察、访谈和文献研究数据收集技术获得第一手和第二手数据。作为进行数据验证技术和数据三角测量的基础的可信度标准是信任程度的标准。此次研究的结论是,万年峰不是阿鲁克·托多洛或基督教徒所拥有的艺术,而是属于全体托拉加人。此外,在改变其功能的过程中,万林峰会根据一些事情的背景而变化,例如基督教和阿鲁克图多洛中万林峰诗歌本身的意义的变化,以及万林峰表演或上演的背景的变化。
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