THE ART OF MUSICAL INSTRUMENT SYMBOL OF THE MALAY TRADITION OF BRUNEI MEMBAKUT, SABAH

Nurfarain Abdul Rahman, Mohd. Sohaimi Esa, S. Mokhtar, Sharifah Darmia Sharif Adam
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Abstract

This article discusses the art of traditional musical instruments of the Bruneian Malays on the west coast, Sabah. Touching on the artistic aspect, it is part of a culture rich in homogeneity and beauty. These tribes have their own arts according to their respective cultures and religions. For people who are Muslims, they use the art of musical instruments for purposes that do not conflict with religion and thus symbolize the life traditions of a race, especially the Bruneian Malays on the west coast of Sabah. Kulintangan and gambus have been considered as a traditional musical instrument for the people. This musical instrument has long been known by other races, and it is often played during weddings, festivals and so on. The musical instruments of Brunei's Malays have similarities and differences from other races in Sabah. However, the scope of the study is focused on the west coast of Sabah because this area still preserves musical instruments as a traditional art form of Brunei Malays. In this study, a qualitative method approach was applied as a methodology to obtain findings. Therefore, this article will discuss the perception of the Malays in accepting the art of musical instruments as a tradition and the efforts made by the Malays of Brunei as well as the efforts of the Malays of Brunei and stakeholders to preserve the tradition of kulintangan and gambus as an art of musical instruments.
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象征马来传统的乐器艺术是汶莱,沙巴
本文讨论了沙巴西海岸文莱马来人的传统乐器艺术。在艺术方面,它是一种富有同质性和美感的文化的一部分。这些部落根据各自的文化和宗教有自己的艺术。对于穆斯林来说,他们将乐器艺术用于与宗教不冲突的目的,因此象征着一个种族的生活传统,特别是在沙巴西海岸的文莱马来人。库尔塔兰和gambus一直被认为是人民的传统乐器。这种乐器早已为其他种族所熟知,经常在婚礼、节日等场合演奏。汶莱马来人的乐器与沙巴其他种族有异同。然而,研究的范围集中在沙巴的西海岸,因为这个地区仍然保留着乐器作为文莱马来人的传统艺术形式。在本研究中,采用定性方法作为方法论来获得研究结果。因此,本文将讨论马来人接受乐器艺术作为一种传统的看法,以及文莱马来人所做的努力,以及文莱马来人和利益相关者为保护传统的乐器和gambus作为一种乐器艺术所做的努力。
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