{"title":"The Irish Bachelor","authors":"E. Madden","doi":"10.3366/edinburgh/9781474456692.003.0017","DOIUrl":null,"url":null,"abstract":"An exploration of the figure of the sexually frustrated and socially isolated bachelor farmer that became popular beginning in the 1930s. The essay sees the bachelor as a figure of gender resistance. Instead of stereotyping him as an example of religious repression and family pathologies, it reframes him as the victim of state regulation and suppression.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"304 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Edinburgh Companion to Irish Modernism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474456692.003.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
An exploration of the figure of the sexually frustrated and socially isolated bachelor farmer that became popular beginning in the 1930s. The essay sees the bachelor as a figure of gender resistance. Instead of stereotyping him as an example of religious repression and family pathologies, it reframes him as the victim of state regulation and suppression.
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