Synchronistic historical background for Jung-Pauli's modelling of psyche and nature concerning the aquarius myth part I: The aquarius mythologem in the “St. John — St. Andrew” enamel picture of the Holy Crown of Hungary

P. Várlaki, P. Baranyi
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引用次数: 9

Abstract

The paper discusses the presentations of special great works of art to compare their system of "representation" and meaning to the similar identifiable and re-interpreted symbols, imagery and meaning communications in between Jung and Pauli's "imagination and interpretation space". In the first part of the paper we attempt to prove hypothesis of the meaningful synchronicity by the symbolic interpretation of three interrelated, stunningly beautiful and unique images of the apostles on the Holy Crown of Hungary.
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Jung-Pauli关于水瓶座神话的心灵和自然造型的共时性历史背景。第一部分:匈牙利圣冠“圣约翰-圣安德鲁”珐琅画中的水瓶座神话
本文探讨了一些特殊的伟大艺术作品的呈现,将它们的“表征”和意义系统与荣格和泡利的“想象和解释空间”中类似的可识别和重新诠释的符号、意象和意义交流进行比较。在论文的第一部分中,我们试图通过对匈牙利圣冠上三个相互关联的、惊人的美丽和独特的使徒形象的象征性解释来证明有意义的共时性假设。
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