Tolkien and Rape

T. S. Miller, Elizabeth Miller
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Abstract

J. R. R. Tolkien’s representation of women in his fiction has generated a number of controversies since its original publication. This essay examines two major issues: an evasiveness in Tolkien’s treatment of sexual violence against women that is not disconnected from a gendered terror that underlies several moments in his works and functions to link women’s sexuality and desiring with death. Specifically, we read the author’s depiction of Shelob and her appetitive, arachnoid monstrosity as at once displacing sexual violence onto the monstrous feminine and evoking a revulsion at the aging female body. We next explore the consequences of the author’s depictions of women and his handling of sexual violence in close connection with his own 1939 public performance of Chaucer’s Reeve’s Tale, a comic narrative turning on two rapes that Tolkien nevertheless conceals in a comparable fashion to his elision of sexual violence in Middle-earth.
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托尔金和强奸
j·r·r·托尔金小说中的女性形象自出版以来就引发了许多争议。这篇文章探讨了两个主要问题:托尔金在处理针对女性的性暴力问题上的回避,与他作品中潜藏的性别恐惧并没有脱节,并将女性的性和欲望与死亡联系起来。具体来说,我们读到作者对Shelob的描述,她的欲望,蜘蛛般的怪物,立即将性暴力转移到可怕的女性身上,唤起对衰老的女性身体的厌恶。接下来,我们将探讨作者对女性的描写和他对性暴力的处理所带来的后果,这与他1939年公开演出乔叟的《里夫的故事》密切相关,这是一个关于两起强奸案的喜剧叙事,托尔金以一种类似于他对中土世界性暴力的省略的方式隐藏了起来。
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