The Image of the Trickster in the Novel by Vladimir Makanin The Underground, or the Hero of Our Time

N. Kovtun
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Abstract

The article is devoted to the study of the image of the trickster – one of the key ones in modern Russian culture and literature. The article analyzes the specifics of the functioning and attribution of the trickster figure in V. Makanin‘s novel The Underground, or the Hero of Our Time (1998). This is a soliloquium novel. It is shown how the appearance of the trickster hero, who is aware of his connection with the myth, helps to solve the tragic issues facing the consciousness of the turn of the XX-XXI centuries. The life – affirming, vital potential of the image of the main character of the novel – Petrovich is considered, the inherent possibilities, means of awareness and representation of the tragic are revealed. The paper examines the intertextual field of the character’s image, including the archetypes of “naked man”, “little man”, “extra man” and “underground man”, who made up the canon of Russian classics. The reinterpretation of archetypes is the realization of the author’s attempt, his hero, to “push” Russia into the next century, free from the dictates of the literary canon, opening up the prospect of finding one’s own Word as a self-determination of an individual in the new century.
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弗拉基米尔·马卡宁小说中的骗子形象《地下》,还是我们时代的英雄
本文对俄罗斯现代文化和文学中的一个重要人物——骗子形象进行了研究。本文分析了马卡宁小说《地下英雄》(The Underground, or The Hero of Our Time, 1998)中骗子角色的具体功能和角色归属。这是一部独白小说。它展示了骗子英雄的出现,他意识到自己与神话的联系,有助于解决20 - 21世纪交替时意识面临的悲剧问题。考察了小说主人公彼得罗维奇形象的生命肯定性和生命力,揭示了悲剧的内在可能性、意识手段和表现方式。本文考察了该人物形象的互文场域,包括构成俄罗斯经典经典的“裸男”、“小个子”、“多余的人”和“地下人”原型。对原型的重新诠释是作者——他的主人公——将俄罗斯“推向”下一个世纪的尝试的实现,摆脱了文学经典的支配,开启了在新世纪寻找自己的话语作为个人自决的前景。
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