{"title":"Comparative analysis of the introductory part of the contexture of Turkic epic tales (illustrated by the Yakut Olonkho and Shor epic)","authors":"N. Afanasev, O. Pavlova","doi":"10.2991/mplg-ia-19.2019.3","DOIUrl":null,"url":null,"abstract":"The paper deals with heroic epics of the Yakut and Shor peoples. Our goal is to conduct comparative study the introductory part of the contexture of the olonkho of the northeastern Yakut tradition and Shor epic tales based on The 14 texts and stories of the olonkho of the Yakut northeastern tradition and 3 texts of the Shor epic as narrated by storyteller V. E. Tannagashev. Basically, the contexture of Turkic epic tales consists of introduction, exposition, complications or development of the action, crisis or climax, denouement and final part. The olonkho of the Yakut northeastern tradition and the Shors epic tales are divided into three parts: introductory, main and final. The cosmogonic (foundational) principle which is a feature of archaic epics was not found in the introductory part of the olonkho of the tradition under study and the Shor epic tales. The introductory part of the Shor epic tales is notable for its short descriptions. These texts contain only description of nature, people and the golden palace where the protagonist lives. In contrast to the Shor epic tales, the introductory part of the olonkho of the northeastern tradition describes in detail the dwelling of the protagonist, backyard buildings, wealth, nature and the sacred tree named Aal Luuk Mas. Some olonkho of the northeast tradition tells the stories about the protagonist’s dying. According to olonkhosut, these texts are incomplete, so such tragic denouement is not the end. The comparative analysis of the plot contexture allows us to conclude that the olonkho of the northeastern Yakut tradition and the Shors epic tales are close to each other, but have special features. These peoples have family ties, which is probably why the epic tales of the related peoples arose at the intersection between their historical and spiritual contacts. Keywords–epic tale, Yakut folklore, Shor folklore, Yakut olonkho, northeastern Yakut tradition, Shor epic tales, plot, composition, introduction, main part, conclusion","PeriodicalId":129193,"journal":{"name":"Proceedings of the International Conference on Man-Power-Law-Governance: Interdisciplinary Approaches (MPLG-IA 2019)","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the International Conference on Man-Power-Law-Governance: Interdisciplinary Approaches (MPLG-IA 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/mplg-ia-19.2019.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper deals with heroic epics of the Yakut and Shor peoples. Our goal is to conduct comparative study the introductory part of the contexture of the olonkho of the northeastern Yakut tradition and Shor epic tales based on The 14 texts and stories of the olonkho of the Yakut northeastern tradition and 3 texts of the Shor epic as narrated by storyteller V. E. Tannagashev. Basically, the contexture of Turkic epic tales consists of introduction, exposition, complications or development of the action, crisis or climax, denouement and final part. The olonkho of the Yakut northeastern tradition and the Shors epic tales are divided into three parts: introductory, main and final. The cosmogonic (foundational) principle which is a feature of archaic epics was not found in the introductory part of the olonkho of the tradition under study and the Shor epic tales. The introductory part of the Shor epic tales is notable for its short descriptions. These texts contain only description of nature, people and the golden palace where the protagonist lives. In contrast to the Shor epic tales, the introductory part of the olonkho of the northeastern tradition describes in detail the dwelling of the protagonist, backyard buildings, wealth, nature and the sacred tree named Aal Luuk Mas. Some olonkho of the northeast tradition tells the stories about the protagonist’s dying. According to olonkhosut, these texts are incomplete, so such tragic denouement is not the end. The comparative analysis of the plot contexture allows us to conclude that the olonkho of the northeastern Yakut tradition and the Shors epic tales are close to each other, but have special features. These peoples have family ties, which is probably why the epic tales of the related peoples arose at the intersection between their historical and spiritual contacts. Keywords–epic tale, Yakut folklore, Shor folklore, Yakut olonkho, northeastern Yakut tradition, Shor epic tales, plot, composition, introduction, main part, conclusion
本文论述了雅库特人和肖尔人的英雄史诗。我们的目标是对东北雅库特传统的奥隆霍和肖尔史诗故事的背景介绍部分进行比较研究,该部分基于14个雅库特东北传统的奥隆霍的文本和故事以及故事讲述者V. E. Tannagashev叙述的肖尔史诗的3个文本。基本上,突厥史诗故事的背景由引言、叙述、情节或发展、危机或高潮、结局和最后部分组成。雅库特东北传统的奥隆霍和肖尔人的史诗故事分为引言、正文和结语三个部分。宇宙起源(基本)原则是古代史诗的一个特征,在所研究的传统的奥伦科和肖尔史诗故事的导言部分没有发现。肖尔史诗故事的引言部分以其简短的描述而著称。这些文字只有对自然、人物和主人公居住的金色宫殿的描述。与肖尔史诗故事不同,东北传统的奥伦科故事的引言部分详细描述了主人公的住所、后院的建筑、财富、自然和名为al Luuk Mas的圣树。一些东北传统的奥龙霍讲述了主人公死亡的故事。根据olonkhosut的说法,这些文本是不完整的,所以这样的悲剧结局并不是结局。通过对情节语境的比较分析,我们可以得出结论,东北雅库特传统的奥隆霍与肖尔人的史诗故事既有相通之处,又有各自的特点。这些民族有血缘关系,这可能就是为什么相关民族的史诗故事出现在他们的历史和精神联系的交叉点上。关键词:史诗故事,雅库特民间传说,肖尔民间传说,雅库特奥伦科,东北雅库特传统,肖尔史诗故事,情节,构成,引言,主体,结论