Kebon Alas, the Spirit of Dalang and Nayaga on Cirebon Mask Performance

Anis Sujana, Nunung Nurasih
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Abstract

Kebon Alas refers to things or properties decorating a stage of Topeng Cirebon Dance (Cirebon Mask Dance) performance. To the crew of Topeng performance, Kebon Alas is the energy to boost the spirit of the performance. The absence of Kebon Alas in a performance gives emptiness feeling (mangmung) to dalang and nayaga. The study aims to reveal the meaning of symbols on Kebon Alas especially for the dalang and nayaga. The method applied in this study is taking esoteric approach, that is a teaching in religion or philosophy may only be understood by certain community. The result shows that the understanding toward things or properties on Kebon Alas is all related to the moral and religious teaching in Islam. This is in line with the function of Cirebon Mask Dance in the early of Islam in Java that is as the media for spreading Islam.
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可邦哀乐、大朗精神和纳亚加对可邦面具表演的影响
科波拉是指装饰托彭科波拉假面舞(科波拉假面舞)表演舞台的物品或物品。对于托鹏剧组的演出来说,科邦哀乐是提升演出精神的能量。Kebon Alas在表演中的缺席给大郎和nayaga带来了空虚感(mangmung)。本研究旨在揭示克本哀号上符号的意义,特别是对大郎和纳亚加的意义。本研究采用的方法是采用深奥的方法,即宗教或哲学的教义可能只有某些群体才能理解。结果表明,《可兰经》对事物或性质的认识都与伊斯兰教的道德和宗教教义有关。这与爪哇伊斯兰教早期Cirebon面具舞作为传播伊斯兰教的媒介的功能是一致的。
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