{"title":"Working with Hitch","authors":"N. Brand","doi":"10.1386/ST.3.1.25_1","DOIUrl":null,"url":null,"abstract":"Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's \"Blackmail\", gave composer Neil Brand new insight into the master's techniques","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Soundtrack","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ST.3.1.25_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's "Blackmail", gave composer Neil Brand new insight into the master's techniques
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