[The influence of playing the clarinet on the dentomaxillofacial morphology and function].

Ou Daigaku shigakushi Pub Date : 1990-07-01
H Ogino
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Abstract

The purpose of this experiment is to understand the influence of playing the clarinet on the dentomaxillofacial morphology and function. The 12 subjects, selected at random (all adults, 4 men and 8 women) had played the clarinet for more than 10 years. The subjects had anamnesis, oral photo pictures, facial photo pictures, cast model, lateral cephalograms (lateral cephalo) and frontal cephalograms (frontal cephalo) taken when they were in centric occlusion and playing the clarinet. The results were as follows: 1. The facial profile and occlusal relation depend on the subjects. (2 mandibular retrognathism. 4 prognathism and 6 crowding.) 2. No characteristic skeletal pattern was found compared with controls in angle measurement but subjects had a tendency to have large facial height in linear measurement of lateral cephalo. And in denture pattern the lower incisors were linguoclination. 3. Concerning the lateral cephalo, we noticed that the angle of the clarinet in relation to the body axis increased in accordance with the prognathism and decreased with the retrognathism. 4. The subjects don't have identical midline, comparing lower midline to dentofacial midline, when playing, the angle of clarinet to the body was eccentric according to maxillary incisors in frontal cephalo. 5. Anterial and posterial length was short in mandibular arch, analyzing the cast model. 6. The pressure on mouthpiece increased in accordance with the prognathism and decreased with retrognathism. 7. The results of the EMG analysis indicated that the muscle activity of oral sphincter was described as 1). upper lip, 2). lower lip, 3). commisure of lips and differences were found depending on the parts being studied and the sound played on the clarinet. In conclusion, the skeletal and denture problem influence the holding position of the clarinet, embouchure and the way of playing it. In case of mandibular prognathism, when playing, the subjects pressed on their teeth with the clarinet. So B instrument won't do for prognathism because lower incisors are pushed inward as a result.

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演奏单簧管对牙颌面形态及功能的影响。
本实验旨在了解单簧管演奏对牙颌面形态和功能的影响。随机选择的12名受试者(均为成年人,4男8女)演奏单簧管超过10年。受试者在中心闭塞状态和演奏单簧管时进行记忆、口腔照片、面部照片、铸型模型、侧位(侧脑)和额位(额)脑成像。实验结果如下:1.实验结果表明:面部轮廓和咬合关系取决于受试者。2下颌后颌。1 .突出;6 .拥挤;在角度测量中,与对照组相比,没有发现特征的骨骼模式,但在侧头线性测量中,受试者有面部高度较大的倾向。假牙型下门牙舌斜。3.关于侧头,我们注意到单簧管相对于身体轴的角度随着前突的增加而增加,随着后突的减少而减少。4. 受试者中线不一致,比较下中线与牙面中线,演奏时根据额额上颌门牙单簧管与身体的夹角偏偏心。5. 下颌弓前后长度较短,对铸型模型进行分析。6. 牙套压力随牙前伸增大,随牙后伸减小。7. 肌电分析结果表明,口腔括约肌的肌肉活动描述为1)上唇,2)下唇,3)嘴唇的连接,并根据所研究的部位和单簧管演奏的声音发现差异。综上所述,骨骼和义齿问题影响单簧管的持位、口型和演奏方式。下颌前突者,演奏时用单簧管压牙。所以B器械不能治疗前牙症因为下门牙会向内推。
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