The Classical Regime of Literary Comfort: From Homer to Aristotle

Jürgen Pieters
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Abstract

This chapter starts from a close reading of the famous scene of consolation between Achilles and Priamos in the Iliad’s closing book (Book 24). The logic of ‘eleos’ that governs the scene is related to what in the book is identified as the ‘classical regime of consolation’, derived from a number of consolatory writings that date from Antiquity (Crantor, Cicero, Seneca, …). In the chapter’s closing section the classical regime of comfort is related to Plato and Aristotle’s analyses of literary writing, the infamous discussion on ‘mimesis’.
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文学安慰的古典制度:从荷马到亚里士多德
本章从仔细阅读《伊利亚特》结尾处阿喀琉斯和普里阿摩斯之间著名的安慰场面开始(第24卷)。控制场景的“eleos”逻辑与书中确定的“古典安慰制度”有关,源自古代的一些安慰著作(克兰托,西塞罗,塞内加,……)。在本章的结尾部分,古典的舒适制度与柏拉图和亚里士多德对文学写作的分析有关,关于“模仿”的臭名昭著的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Epilogue: The Library of Comfort The Christian Regime of Literary Comfort: From Boethius to Dante The Religion of Despair: George Sand and Gustave Flaubert on Reading and Writing Towards a Modern Regime of Literary Comfort: Shakespeare and the Failure to Console Introduction: Fictions of Comfort
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