Peculiarities of the artistic construction of Alisher Navoi's romantic ghazals

Abstract

The article reveals the peculiarities of the artistic structure of Alisher Navoi's romantic ghazals based on the analysis. It deals with the great poet's skill in the use of visual aids and rhyming techniques related to word repetition. Navoi, aware of the question-and-answer style in the ghazals of his great predecessors such as Hafiz and Lutfi, raised the traditional question-and-answer session between the lover and the lover in the ghazal "Jong'a chun dermen..." It is defined as the artistic discovery of peculiarities, such as the beginning, the course of events, rising actions, climax, and the conclusion. The artistic skills of the great poet in the use of the art of tardi’aks are analyzed, and the analysis of the formation of a unique semantic-compositional structure of romantic poems with the help of such pictorial means based on word repetition is revealed. The analysis also reveals the peculiarities of the musajja ghazals based on the poet's ghazal verses, the influence of the rhyme and internal radifs on the artistic structure of the ghazal, and the fact that Navoi's musajja ghazals were written not only in the hazaj, but also in the rajaz and ramal.