AESTHETIC PERCEPTION OF MIYABI (ELEGANCE) IN Y. KAWABATA'S NOVELS

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Abstract

Along with mono no aware, miyabi is an aesthetic sentiment that dominates the Heian period. Miyabi describes the elegant attitude and behavior between man and man, as well as between man and nature. Originating from Shinto, miyabi has subsequently become a significant concept of Japanese aesthetics. Miyabi percolated through Japanese literature over eras and was recorded in the compositions of Y. Kawataba – a writer who dedicated his life and literary career to preserving and promoting the traditional cultural values of Japan amidst the invasion of European and American civilization. In Y. Kawabata's works, miyabi was expressed through the passion of being able to care for, cherish and contemplate nature at its utmost richness; of finding in nature the joy and energy that healed the wounds of the soul; of appreciating objects-symbols for traditional culture; of love, generosity and tolerance towards people.
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川端康成小说中的“雅”美感
宫比是一种主导平安时代的审美情感,与“单一性意识”并列。宫碧描绘了人与人之间,以及人与自然之间的优雅态度和行为。宫比起源于神道教,后来成为日本美学的一个重要概念。宫比贯穿了日本文学的各个时代,并被记录在作家川叶川的作品中。川叶川在欧美文明入侵的背景下,将自己的一生和文学生涯都奉献给了保存和弘扬日本传统文化价值。在川端康成的作品中,“宫比”表现为一种能够关心、珍惜和思考自然的最丰富的激情;在大自然中找到治愈心灵创伤的快乐和能量;欣赏对象——传统文化的象征对人的爱,慷慨和宽容。
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