Manele Music as a Marker of Collective Shame in the Online Discourse of the Romanian Diaspora in the United Kingdom

Ruxandra Trandafoiu
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Abstract

"This article charts the reception of manele music among the Romanian diaspora in the UK. Using a netnographic approach applied to an online diasporic community, it studies the replication of acerbic debates in Romania about the role of manele within Romanian musical tradition. It also shows how the racialization of the Roma and the rejection of manele as “inferior” music serve both psychological and political purposes for a community that has experienced a loss in status due to migration. Manele become thus the measuring tape of cultural taste but also markers of collective shame that separate the “good” Romanians from the “bad”. These power games need to be understood in the context of old dissensions among Romanian elites related to Romania’s uncomfortable belonging to the Balkans. They also represent a renewed contestation of Oriental influences in Romanian culture that threaten to disrupt Romania’s presupposed belonging to the West. Keywords: manele, Roma, Romania, diaspora, Orientalism, shame. "
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Manele音乐作为英国罗马尼亚侨民在线话语中的集体耻辱标志
这篇文章描绘了散居在英国的罗马尼亚人对曼努埃尔音乐的接受情况。使用网络学方法应用于在线散居社区,它研究了罗马尼亚关于罗马尼亚音乐传统中manele角色的尖刻辩论的复制。它还显示了罗姆人的种族化和拒绝马勒作为“劣等”音乐如何为一个因移民而经历了地位丧失的社区提供心理和政治目的。马内莱因此成为衡量文化品味的标尺,也是区分“好”和“坏”罗马尼亚人的集体耻辱的标志。要理解这些权力游戏,需要放在罗马尼亚精英阶层之间由来已久的不和的背景下,这些不和与罗马尼亚不舒服地归属于巴尔干半岛有关。它们也代表了罗马尼亚文化中东方影响的新一轮争论,这可能会破坏罗马尼亚原本属于西方的观念。关键词:男性,罗姆人,罗马尼亚,流散,东方主义,羞耻。
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