Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.08
Guang Tian, Gang Chen, Yangkuo Li
"Each of China’s 55 different ethnic minorities has its unique diet and customs with special ethnic character and historical tradition in the content and form of “eating” and “drinking.” In the composition of the Chinese diet, the diet and customs of ethnic minorities are an essential part. Chinese food enjoys a worldwide reputation, directly related to the fact that people of all ethnic groups living in the same region can learn from each other in terms of diet and customs and learn from each other’s strengths to compensate for their weaknesses. It provides a good guarantee for improving the physical quality and health of all ethnic groups in China. The ethnic minorities have notable differences in the source and composition of food, processing and use of cooking utensils, cooking and eating customs, and etiquette. The dishes are rich and colorful, and the dietary concepts are in full bloom. The tastes and habits are various, and the customs and styles of hospitality are different. Keywords: Food culture; ethnic minorities; unique diet; diet and custom. "
{"title":"The Food Culture of Ethnic Minorities in China","authors":"Guang Tian, Gang Chen, Yangkuo Li","doi":"10.59277/jef.2023.1-2.08","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.08","url":null,"abstract":"\"Each of China’s 55 different ethnic minorities has its unique diet and customs with special ethnic character and historical tradition in the content and form of “eating” and “drinking.” In the composition of the Chinese diet, the diet and customs of ethnic minorities are an essential part. Chinese food enjoys a worldwide reputation, directly related to the fact that people of all ethnic groups living in the same region can learn from each other in terms of diet and customs and learn from each other’s strengths to compensate for their weaknesses. It provides a good guarantee for improving the physical quality and health of all ethnic groups in China. The ethnic minorities have notable differences in the source and composition of food, processing and use of cooking utensils, cooking and eating customs, and etiquette. The dishes are rich and colorful, and the dietary concepts are in full bloom. The tastes and habits are various, and the customs and styles of hospitality are different. Keywords: Food culture; ethnic minorities; unique diet; diet and custom. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"89 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128993441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.12
This is an archival restitution, after an „Iconographic Intros” (of photos captured during the 1969 ISFNR Congress) which show Brian M. du TOIT, Nai-Tung TING, Francis Lee UTLEY, Mortan NOLSØE, Monica BRĂTULESCU, Radu NICULESCU, Ion C. CHIȚIMIA, each of their papers persented in the Congress (as original manuscripts) are reproduced/presented here for the first time.
这是在“图像介绍”(1969年ISFNR大会期间拍摄的照片)之后的档案恢复，其中显示Brian M. du TOIT, Nai-Tung TING, Francis Lee UTLEY, Mortan NOLSØE, Monica BRĂTULESCU, Radu NICULESCU, Ion C. CHIȚIMIA，他们在大会上提交的每一篇论文(作为原始手稿)都是第一次复制/呈现在这里。
{"title":"Bucharest, 1969: The 5th Congress of the “International Society for Folk Narrative Research” (Facsimile Papers, Part VIII)","authors":"","doi":"10.59277/jef.2023.1-2.12","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.12","url":null,"abstract":"This is an archival restitution, after an „Iconographic Intros” (of photos captured during the 1969 ISFNR Congress) which show Brian M. du TOIT, Nai-Tung TING, Francis Lee UTLEY, Mortan NOLSØE, Monica BRĂTULESCU, Radu NICULESCU, Ion C. CHIȚIMIA, each of their papers persented in the Congress (as original manuscripts) are reproduced/presented here for the first time.","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128105732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.10
Ruxandra Trandafoiu
"This article charts the reception of manele music among the Romanian diaspora in the UK. Using a netnographic approach applied to an online diasporic community, it studies the replication of acerbic debates in Romania about the role of manele within Romanian musical tradition. It also shows how the racialization of the Roma and the rejection of manele as “inferior” music serve both psychological and political purposes for a community that has experienced a loss in status due to migration. Manele become thus the measuring tape of cultural taste but also markers of collective shame that separate the “good” Romanians from the “bad”. These power games need to be understood in the context of old dissensions among Romanian elites related to Romania’s uncomfortable belonging to the Balkans. They also represent a renewed contestation of Oriental influences in Romanian culture that threaten to disrupt Romania’s presupposed belonging to the West. Keywords: manele, Roma, Romania, diaspora, Orientalism, shame. "
{"title":"Manele Music as a Marker of Collective Shame in the Online Discourse of the Romanian Diaspora in the United Kingdom","authors":"Ruxandra Trandafoiu","doi":"10.59277/jef.2023.1-2.10","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.10","url":null,"abstract":"\"This article charts the reception of manele music among the Romanian diaspora in the UK. Using a netnographic approach applied to an online diasporic community, it studies the replication of acerbic debates in Romania about the role of manele within Romanian musical tradition. It also shows how the racialization of the Roma and the rejection of manele as “inferior” music serve both psychological and political purposes for a community that has experienced a loss in status due to migration. Manele become thus the measuring tape of cultural taste but also markers of collective shame that separate the “good” Romanians from the “bad”. These power games need to be understood in the context of old dissensions among Romanian elites related to Romania’s uncomfortable belonging to the Balkans. They also represent a renewed contestation of Oriental influences in Romanian culture that threaten to disrupt Romania’s presupposed belonging to the West. Keywords: manele, Roma, Romania, diaspora, Orientalism, shame. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"296 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133133948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.09
Izaly I. Zemtsovsky, A. Kunanbaeva
"Authors concentrate on the very fact that there existed among the cultures of Eurasia songs resembling Japanese oiwake, this uniquely sophisticated form that were also in some respects analogous to it in significance. That solo-performed lyric “long” song is an international phenomenon, one that is found to this day along practically the entire length of the Great Silk Road. Such masterworks constitute one-of-a-kind creative products that are, as it were, Mona Lisas of oral tradition. Authors gave the creator of lyric songs, the lyric singer and poet, the name Homo Lyricus. The article consists of six sections: Just how unique is oiwake? (preface); Methodological foundations (after Boris Putilov); Toward future research: hypotheses and limitations; Lyric drawn-out song in the great expanse of typological succession; On the problem of authorship in Eurasian drawn-out song; Some concluding theses on freedom as the essence of lyric song; and a musical supplement. Note: “folkloric culture,” as opposed to “folk culture,” the term is Boris Putilov’s. Keywords: ethnomusicology, folkloristics, lyric singer and poet, lyric long solo song, drawn-out song, oiwake, urtyn duu, ozyn кüi, hora lungă, typological succession, Great Silk Road, Eurasia, Boris Putilov. "
“作者关注的是欧亚大陆文化中存在着与日本民谣相似的歌曲，这种独特而复杂的形式在某些方面也与日本民谣有着相似的意义。这首独唱的抒情“长”歌是一种国际现象，直到今天，几乎在整个丝绸之路上都能找到它。这些杰作构成了独一无二的创意产品，可以说是口述传统的蒙娜丽莎。作者们给抒情歌曲的创造者、抒情歌手和诗人起了“抒情人”的名字。本文由六个部分组成:iwake到底有多独特?(前言);方法论基础(以鲍里斯·普提洛夫命名);未来研究展望:假设与局限性在类型学继承的巨大范围内，抒情的长歌;论欧亚长歌的作者身份问题自由是抒情歌曲本质的几个结束语还有音乐副刊。注:“民俗文化”，相对于“民俗文化”，这个词是鲍里斯·普提洛夫的。关键词:民族音乐学，民俗学，抒情歌手和诗人，抒情长独唱，长曲，oiwake, urtyn duu, ozyn кüi, hora lungue，类型学继承，伟大的丝绸之路，欧亚大陆，Boris Putilov。
{"title":"Homo Lyricus, or Lyric Song in the Ethnomusicological Stratigraphy of “Folkloric Culture”: Notes for a Monograph (part 2)","authors":"Izaly I. Zemtsovsky, A. Kunanbaeva","doi":"10.59277/jef.2023.1-2.09","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.09","url":null,"abstract":"\"Authors concentrate on the very fact that there existed among the cultures of Eurasia songs resembling Japanese oiwake, this uniquely sophisticated form that were also in some respects analogous to it in significance. That solo-performed lyric “long” song is an international phenomenon, one that is found to this day along practically the entire length of the Great Silk Road. Such masterworks constitute one-of-a-kind creative products that are, as it were, Mona Lisas of oral tradition. Authors gave the creator of lyric songs, the lyric singer and poet, the name Homo Lyricus. The article consists of six sections: Just how unique is oiwake? (preface); Methodological foundations (after Boris Putilov); Toward future research: hypotheses and limitations; Lyric drawn-out song in the great expanse of typological succession; On the problem of authorship in Eurasian drawn-out song; Some concluding theses on freedom as the essence of lyric song; and a musical supplement. Note: “folkloric culture,” as opposed to “folk culture,” the term is Boris Putilov’s. Keywords: ethnomusicology, folkloristics, lyric singer and poet, lyric long solo song, drawn-out song, oiwake, urtyn duu, ozyn кüi, hora lungă, typological succession, Great Silk Road, Eurasia, Boris Putilov. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131163772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.11
Pei-Yi Yang
"The blending of traditional and cross-cultural musical elements improves musical compositions and piano playing techniques. The research purpose is to investigate the main features of neo-folklore motifs in the piano work of Chen Yi and analyse the specifics of piano art in the work To E. The research used different methods of analysis, comparison, and calculation for the Socio-Metric Rating Index and the Efficiency Ratio. The analysis revealed that the main indicator was a novelty in music that was evident in the development of different cultures, the new artistic ideas, and the use of a modal system, new rhythmic intonations and structures. The practical significance is in the use of neo-folklore features in the process of creating new compositions and improvising on the piano. Future research is needed to investigate neo-folklore features and compare several pieces of music reflecting cross-cultural traditions. Keywords: artistic effect, instrumental performance, intercultural influence, intonation flexibility, rhythmic beat. "
{"title":"Neo-Folklore Motifs in a Chen Yi’s Piano Work","authors":"Pei-Yi Yang","doi":"10.59277/jef.2023.1-2.11","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.11","url":null,"abstract":"\"The blending of traditional and cross-cultural musical elements improves musical compositions and piano playing techniques. The research purpose is to investigate the main features of neo-folklore motifs in the piano work of Chen Yi and analyse the specifics of piano art in the work To E. The research used different methods of analysis, comparison, and calculation for the Socio-Metric Rating Index and the Efficiency Ratio. The analysis revealed that the main indicator was a novelty in music that was evident in the development of different cultures, the new artistic ideas, and the use of a modal system, new rhythmic intonations and structures. The practical significance is in the use of neo-folklore features in the process of creating new compositions and improvising on the piano. Future research is needed to investigate neo-folklore features and compare several pieces of music reflecting cross-cultural traditions. Keywords: artistic effect, instrumental performance, intercultural influence, intonation flexibility, rhythmic beat. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133208372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.01
Elene Gogiashvili, Teodosio de Bonis
"In Georgia, the fables of Panchatantra are well-known through the book of Kalila and Dimna. However, some rare examples of direct parallels with the fables of Panchatantra appeared in Georgian literary sources and folk oral narratives. Next to the brief history of Panchatantras’s journey through centuries, and an overview of Georgian historical chronicles Kartlis Tskhovreba (The Life of Kartli), A Book of Wisdom and Lies by Sulkhan-Saba Orbeliani, and Georgian folktales outline the transformations of some fables from Panchatantra in Georgia. The paper examines the role of animals in the fables in general, and shows the ways of interpretations on the example of the theme of ingratitude in context of European and Oriental narrative traditions. "
{"title":"In the Labyrinth of Fables: Traces of Panchatantra in Georgian Literary and Oral Narrative Tradition","authors":"Elene Gogiashvili, Teodosio de Bonis","doi":"10.59277/jef.2023.1-2.01","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.01","url":null,"abstract":"\"In Georgia, the fables of Panchatantra are well-known through the book of Kalila and Dimna. However, some rare examples of direct parallels with the fables of Panchatantra appeared in Georgian literary sources and folk oral narratives. Next to the brief history of Panchatantras’s journey through centuries, and an overview of Georgian historical chronicles Kartlis Tskhovreba (The Life of Kartli), A Book of Wisdom and Lies by Sulkhan-Saba Orbeliani, and Georgian folktales outline the transformations of some fables from Panchatantra in Georgia. The paper examines the role of animals in the fables in general, and shows the ways of interpretations on the example of the theme of ingratitude in context of European and Oriental narrative traditions. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130482219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.04
D. Ławrynow
The article presents main examples of Cossack military culture and his role in the daily lives of Kuban, Ural and Kazakh Cossack communities. The investigated material consists of a corpus of oral works (songs, proverbs), examples of rituals, elements of the physical education system and folk games. Cossack folk culture and traditions were based upon the fundament of military society. Its members placed their identity in the broader context of warfare, which they understood both as a source of income and glory, as both a practical and ethical interpretation of their historical role. The article's methodology is based on the functional analysis, ethnographic studies and comparative literature methods. Research on this aspect of Cossack culture is an important element of broader studies on Cossack identity. The analyzed materials shed light on the process of creating historical memories and identities of Cossack communities and fits into a wider range of Cossack studies. Keywords: Cossack folklore, military culture, Kuban Cossack, Kazakh Cossack, Ural Cossack.
{"title":"Cossack Military Culture as Expressed in Folklore","authors":"D. Ławrynow","doi":"10.59277/jef.2023.1-2.04","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.04","url":null,"abstract":"The article presents main examples of Cossack military culture and his role in the daily lives of Kuban, Ural and Kazakh Cossack communities. The investigated material consists of a corpus of oral works (songs, proverbs), examples of rituals, elements of the physical education system and folk games. Cossack folk culture and traditions were based upon the fundament of military society. Its members placed their identity in the broader context of warfare, which they understood both as a source of income and glory, as both a practical and ethical interpretation of their historical role. The article's methodology is based on the functional analysis, ethnographic studies and comparative literature methods. Research on this aspect of Cossack culture is an important element of broader studies on Cossack identity. The analyzed materials shed light on the process of creating historical memories and identities of Cossack communities and fits into a wider range of Cossack studies. Keywords: Cossack folklore, military culture, Kuban Cossack, Kazakh Cossack, Ural Cossack.","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125707958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.13
M. Marian-Bălașa
"This is a pictorial-like based article devoted to the publishing of the academically consistent letters which were exchanged in connection with the 5th ISFNR Congress (Bucharest, Romania: August 25-31, 1969). Selected out of several hundreds, though an incomplete collections, these 100+ belong (with just a tiny exception) to the Archive of the „C. Brăiloiu” Institute of Ethnography and Folklore, in Bucharest (archival records: AIEF, MS 270), where the team of its director of yore, Mihai Pop, preserved them, boxed and closed them up), and then ignored. Forgotten for a half a century, they are exposed now especially for the contemporary research to better realize the power of connecting, exchanging, building up both personal, socio-political and academic ideas and careers, through meeting-arrangements, postal letters, public gatherings, and influential ideological and professional/epistemological discussions. Keywords: ISFNR/International Society for Folk Narrative Research, SIEF/Société Internationale d’Ethnologie et de Folklore, folklore, folklore studies, ethnology, narratives, archive, letters, academic life, personalities. "
“这是一篇以图片为基础的文章，致力于发表与第五届ISFNR大会(布加勒斯特，罗马尼亚:1969年8月25日至31日)有关的学术一致的信件。这100多件藏品是从几百件藏品中挑选出来的，虽然是不完整的藏品，但它们都属于(只有少数例外)“C”档案馆。布加勒斯特的民族志和民间传说研究所(档案记录:AIEF, MS 270)，前所长米海·波普(Mihai Pop)的团队将它们保存起来，装箱并封闭起来)，然后被忽视。他们被遗忘了半个世纪，现在特别为当代研究而暴露出来，以便通过会议安排，邮政信件，公共集会以及有影响力的思想和专业/认识论讨论，更好地认识到连接，交流，建立个人，社会政治和学术思想和事业的力量。关键词:ISFNR/国际民间叙事研究学会，SIEF/国际民俗学学会，民俗学，民俗学研究，民族学，叙事，档案，信件，学术生活，个性。
{"title":"Remembering ‘69: Celebrities’ Letters Connected with the 5th ISFNR Congress (part 1)","authors":"M. Marian-Bălașa","doi":"10.59277/jef.2023.1-2.13","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.13","url":null,"abstract":"\"This is a pictorial-like based article devoted to the publishing of the academically consistent letters which were exchanged in connection with the 5th ISFNR Congress (Bucharest, Romania: August 25-31, 1969). Selected out of several hundreds, though an incomplete collections, these 100+ belong (with just a tiny exception) to the Archive of the „C. Brăiloiu” Institute of Ethnography and Folklore, in Bucharest (archival records: AIEF, MS 270), where the team of its director of yore, Mihai Pop, preserved them, boxed and closed them up), and then ignored. Forgotten for a half a century, they are exposed now especially for the contemporary research to better realize the power of connecting, exchanging, building up both personal, socio-political and academic ideas and careers, through meeting-arrangements, postal letters, public gatherings, and influential ideological and professional/epistemological discussions. Keywords: ISFNR/International Society for Folk Narrative Research, SIEF/Société Internationale d’Ethnologie et de Folklore, folklore, folklore studies, ethnology, narratives, archive, letters, academic life, personalities. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126394434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.07
G. Tofan
"This paper aims to put build a memory of the efforts of the savant George Vâlsan during his later years and his activity in the city of Cluj, between 1919-1929. Besides the science of Geography, one of his main goals was to serve the “new science” of Ethnography, especially the creation and organization of the Ethnographic Museum of Transylvania, alongside the management of the Romanian Ethnographic Society of Cluj (1923-1927) and the geographic-ethnographic section of ASTRA (1920-1929). He is thus seen as a trailblazer, becoming fully aware that he will only accomplish his “ethnographic duties” if he surrounds himself with young individuals eager for knowledge and ready to answer his long term call, lauched ever since his studies in Berlin. Keywords: people, identity, museum, “new science”, sheepherding. "
“这篇论文的目的是建立一个记忆的学者George v lsan在他的晚年的努力和他的活动在克鲁日市，1919年至1929年之间。除了地理科学之外，他的主要目标之一是为民族志的“新科学”服务，特别是特兰西瓦尼亚民族志博物馆的创建和组织，以及克鲁日罗马尼亚民族志学会(1923-1927)和ASTRA地理-民族志部分(1920-1929)的管理。因此，他被视为一个开拓者，他充分意识到，只有当他身边围绕着渴望知识的年轻人，并准备好回应他在柏林学习以来发出的长期呼吁时，他才能完成他的“民族志职责”。关键词:人，身份，博物馆，“新科学”，牧养。
{"title":"George Vâlsan as Ethnographer","authors":"G. Tofan","doi":"10.59277/jef.2023.1-2.07","DOIUrl":"https://doi.org/10.59277/jef.2023.1-2.07","url":null,"abstract":"\"This paper aims to put build a memory of the efforts of the savant George Vâlsan during his later years and his activity in the city of Cluj, between 1919-1929. Besides the science of Geography, one of his main goals was to serve the “new science” of Ethnography, especially the creation and organization of the Ethnographic Museum of Transylvania, alongside the management of the Romanian Ethnographic Society of Cluj (1923-1927) and the geographic-ethnographic section of ASTRA (1920-1929). He is thus seen as a trailblazer, becoming fully aware that he will only accomplish his “ethnographic duties” if he surrounds himself with young individuals eager for knowledge and ready to answer his long term call, lauched ever since his studies in Berlin. Keywords: people, identity, museum, “new science”, sheepherding. \"","PeriodicalId":292878,"journal":{"name":"Revista de etnografie și folclor / Journal of Ethnography and Folklore","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130000803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.59277/jef.2023.1-2.05
O. Smoliak, Nataliia Ovod, Olena Spolska
"The article analyzes folk winter holidays celebrated in December before Christmas as the greatest holiday of all Christians. There is a combination of folk (pre-Christian) traditions with Christian traditions, which co-exist to this day. The holidays analyzed in the research are dedicated to the most common names of saints in Western Podillya (as well as in Ukraine as a whole), which are most often given to the local residents. Dmytro’s/St. Demetrios Day celebration, in addition to its Christian custom, characterized by church services in memory of martyrs and honoring birthday people, is also known by the traditions related to celebrating the land in winter period, protecting cattle, as well as the cult of deceased ancestors. Celebrations of Dmytro’s/St. Demetrios holiday are proceeded by the celebration of Michael’s Day, which symbolizes the arrival of winter. In Western Podillya St. Michael is known as a protector against evil forces. He is also perceived by the locals as the patron saint of wild forest animals and hunters. Until the middle of the 20th century St. Catherine’s Day celebration in Western Podillya followed the rituals reflecting pre-Christian beliefs. Among them are rites of “destiny calling”, fortune telling and divination (considering the destiny of a future marriage couple), as well as honoring the cult of ancestors. During Varvara/St. Barbara celebration the most evident are magical actions associated with fire and water as the main elements in the world creation and symbols of the Nativity of Jesus Christ in the Christian tradition. Such lunar symbols as dumplings and pies are important for the understanding of celebration rituals. Most ritual actions convey love courtships related to the choice of a future marriage partner. St. Anna’s holiday completes the cycle of holidays related to Christmas celebrations. It marks the beginning of Christmas preparations: women clean houses, men arrange farm buildings and property, provide food for festive meals, girls organize groups for singing carols and other traditional customs of Christmas holidays celebration. Keywords: Western Podillya, Christian religion, ceremonial action, divination, folk holiday. "
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