Selfie + code III: melancholy

Yeohyun Ahn
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Abstract

A selfie is a form of art. Over 1 million selfies are now taken every day. Selfies are not always as spontaneous as they seem. They can be a communication tool like any other that can be manipulated for purposes. Selfie + CODE III is a collection of generative selfie series by using computer algorithms. The algorithmic processes expend the concepts of traditional self-portraits to generative and expressive selfies delivering thought or feeling. The artist started taking her generative selfies in 2015 to raise awareness of Asian female faculty being isolated and marginal in a predominantly white institution (http://www.socialhomelessness.com). Her generative selfies have captured psychological moments to express those individual identities are devalued and deconstructed by a homogeneous institution in the United States. It has been shared by social media. The virtual supporting system at Facebook, "Like," by her diverse mentors and friends, helped her to persist and survive in a regionally isolated and exclusive community. Eventually, It has brought her psychological reconciliation and healing to succeed in dealing with difficulties.
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自拍+代码三:忧郁
自拍是一种艺术。现在每天有超过100万张自拍。自拍并不总是像看起来那么自然。它们可以像其他任何工具一样成为一种沟通工具,可以被操纵以达到目的。自拍+ CODE III是一个利用计算机算法生成的自拍系列的集合。算法过程将传统的自拍概念扩展为表达思想或情感的生成性和表现力的自拍。这位艺术家从2015年开始拍摄生殖自拍,以提高人们对亚裔女教师在以白人为主的大学中被孤立和边缘化的意识(http://www.socialhomelessness.com)。她的自拍照捕捉到了心理时刻,表达了个人身份被美国一个同质化的机构贬低和解构的情况。这张照片已被社交媒体分享。她在Facebook上的虚拟支持系统“喜欢”(Like)由她的各种导师和朋友提供,帮助她在一个区域孤立和排他性的社区中坚持并生存下来。最终,它给她带来了心理上的和解和治疗,成功地处理了困难。
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