Secularization Motives and Literary Changes in the Anrakguktaejajeonseung

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Abstract

In this study, we looked at the changes that were seen when the Buddhist narrative Anrakguktaejajeon was passed down to the secular epic Anrakgukjeon. First, the background of the times and the motives of secularization were reviewed, and the literary aspects of secularized works were examined. Based on this, the meaning of secularization was reviewed. To summarize the discussion so far. First, the background of the times and the motives of secularization were examined. Anrakguktaejajeon appeared in the late Korea Dynasty and early Joseon Dynasty. This was the era when Buddhism lost its status as a national religion and Confucianism gained power and eventually grew into the ruling ideology. Therefore, the Buddhist world chose propagation as a way to overcome the crisis, and as a means of propagation Anrakguktaejajeon. Due to its religious purpose, this work could be restructured at any time because the causality of the narrative was not close. It is Anrakukjeon that makes up for the deficiencies in the secular aspect. Second, the literary aspects following secularization were identified by dividing them into structure and ideology. In terms of composition, the spatial background has rationality, and the actions and results of characters have causality. On the other hand, it was restructured to make the story before and after the case inevitably. In terms of ideology, Buddhist content was used as a means to shape the story, and secular persuasion was secured by introducing Confucian ideology. In addition, it also followed the universal method of shaping novels at the time by converging Taoist thought. Third, the literary value and significance seen through secularization were reviewed. Through the change of Anrakguktaejajeon to a classic novel, which is a secular narrative, it is possible to rationally trace the process of transition from a novel to a novel, as well as to identify what aspects of the sacred narrative were added and subtracted to create the character of a secular narrative. In addition, it should be noted that this work can contribute empirically when understanding the diachronic context of Korean classical novel history.
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《安乐国台载全承》的世俗化动机与文学变迁
在这项研究中,我们研究了佛教叙事《安乐国传》被流传到世俗史诗《安乐国传》时所看到的变化。首先,回顾了世俗化的时代背景和动机,考察了世俗化作品的文学方面。在此基础上,对世俗化的含义进行了梳理。总结一下目前为止的讨论。首先,考察了时代背景和世俗化的动机。安乐国台传出现于朝鲜末年和朝鲜初年。这是佛教失去国教地位,儒教获得权力并最终成长为统治思想的时代。因此,佛教界选择了传播作为克服危机的一种方式,作为传播安乐国大典的一种手段。由于其宗教目的,由于叙事的因果关系不紧密,这部作品可以随时进行重构。正是安乐传弥补了世俗方面的不足。其次,将世俗化后的文学方面分为结构和意识形态两个方面进行识别。在构图上,空间背景具有合理性,人物的行为和结果具有因果性。另一方面,它被重组,使故事前后的案件不可避免。在意识形态方面,以佛教内容作为塑造故事的手段,并通过引入儒家思想来确保世俗的说服力。此外,它还遵循了当时普遍采用的融合道家思想的小说塑造方法。第三,回顾了世俗化所看到的文学价值和意义。通过《安乐国太传》向经典小说的转变,即世俗叙事,我们可以理性地追溯小说向小说转变的过程,也可以确定神圣叙事的哪些方面被添加和减少,从而形成世俗叙事的特征。此外,应该指出的是,这项工作可以为理解韩国古典小说历史的历时语境做出经验贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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