A Concise History of Western Music for Film-makers

The Soundtrack Pub Date : 2009-08-01 DOI:10.1386/ST.2.1.23_1
Stephen Deutsch
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引用次数: 3

Abstract

The use of music in films has become almost ubiquitous in both drama and documentary. Music is used regularly in cinema, broadcasting and more recently, in interactive media. Yet audiences often criticise makers for its overuse, especially in actuality television. The problem is not merely concerned with the volume and placement of music, but of the internal nature and structure of the musical material itself. This article contextualises the history of western music in a way which may be able to help inform film makers and broadcasters about how music might be used more advantageously to accompany moving pictures.
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电影制作人的西方音乐简史
电影中音乐的使用在戏剧和纪录片中几乎无处不在。音乐经常用于电影、广播和最近的互动媒体。然而,观众经常批评制作人过度使用,尤其是在现实电视中。这个问题不仅与音乐的音量和位置有关,而且与音乐材料本身的内在性质和结构有关。这篇文章将西方音乐的历史背景化,以一种能够帮助电影制作人和广播公司了解如何更有利地使用音乐来陪伴电影的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Spatial audio production for immersive media experiences: Perspectives on practice-led approaches to designing immersive audio content Rainbow remixes: Cut and paste sound in the films of Len Lye Mouthing off: Contesting cinematic synchronization in digital music media The ‘Truth of Sound’: Exploring the effects of an immersive location sound recording methodology within realist filmmaking Jean-Luc Godard’s Le mépris: Conventional film music in an unconventional guise
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