The Ecopoetics of Charles Harpur

Cassandra O'Loughlin
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Abstract

Ecopoetics has to do with the realisation of the relationship between human beings and the biosphere. It reflects on what it might mean to dwell with the earth. Before one's country can become accepted as a dwellilng place for the writer's imagination, it must first be discerned, experienced, expressed, and as it were fully engaged. The foreignness of the Australian environment as envisaged by the early European settlers, together with the exploitive ideology of colonialism, proved challenging for colonial writers such as Charles Harpur who felt a sense of connection to the place.This paper examines Harpur's work to determine if it qualifies as ecopoetics as understood in recent studies of literature in relation to the environment. It also seeks to establish his work as a resource for current environmental thinkers, as a point of reference for the consideration of the pre-colonial communicative exchange with this land. His emphasis is on vision: both in a temporal and a transcendental sense.
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查尔斯·哈普尔的生态学
生态学与认识人类与生物圈之间的关系有关。它反映了生活在地球上意味着什么。在一个人的国家被接受为作家想象力的居住地之前,必须首先对它进行识别、体验、表达,并充分参与其中。早期欧洲定居者所设想的澳大利亚环境的异乡感,加上殖民主义的剥削意识形态,对查尔斯·哈普尔(Charles Harpur)等殖民作家来说是一种挑战,他们觉得自己与这个地方有一种联系。本文考察了哈普尔的工作,以确定它是否有资格作为生态诗学的理解在最近的文学研究中与环境有关。它还试图将他的作品作为当前环境思想家的资源,作为考虑前殖民时期与这片土地交流的参考点。他的重点是视觉:在时间和先验的意义上。
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