Bauhaus and Lina Bo Bardi: from the modern factory to the Pompeia leisure center

R. Anelli
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Abstract

The importance of Bauhaus to Lina Bo Bardi is herein analyzed from two perspectives. One that follows her trajectory from the industrial design course she taught at MASP to its critique, searching in the Brazilian Northeastern popular culture for sources of renewal. The second one focuses on the project of adapting a factory to be used as a leisure center in São Paulo. In addition to valuing the rationality of the factory architecture built in the first phase of Brazilian industrialization, its preservation encompassed, in order for the building to be used for leisure purposes, interventions that altered the disciplinary attributes of the space. The design was conceived as part of the architecture, discarding its serial reproduction.
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包豪斯与莉娜·波·巴迪:从现代工厂到庞培休闲中心
本文从两个角度分析包豪斯对莉娜·波·巴迪的重要性。从她在麻省理工学院(MASP)教授的工业设计课程到对其进行批判,在巴西东北部的流行文化中寻找更新的源泉,这是她的人生轨迹。第二个项目的重点是将一家工厂改造成圣保罗的休闲中心。除了重视在巴西工业化第一阶段建造的工厂建筑的合理性之外,为了使建筑用于休闲目的,它的保护包括改变空间的学科属性的干预措施。该设计被认为是建筑的一部分,抛弃了它的连续复制。
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David Chipperfield 100 years back, 100 years forward Teaching the Laboratory of the Techniques and Preservation of Modern Architecture (TSAM) at the École Polytechnique Fédéral de Lausanne Walter Gropius and Operative History: an Architectural Palimpsest Modern Reuse
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