Documentation and Transliteration of Ancient Sundanese Manuscript in the Jatigede Dam Area of Sumedang Regency (A philological and ethnopedagogical study)

D. Haerudin, D. Koswara
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Abstract

This research article repors the study results of Sundanese ancient manuscript in the Jatigede Dam Area of Sumedang Regency. It describes the results of transliteration and formulation of formal and narrative structures of the manuscript wawacan genre. The first year object is Wawacan Sulanjana manuscript transliteration, from Pegon-Arabic into Latin alphabet. This research employed descriptive method. It describes the physical characteristics, the wawacan content, and the results of transliteration. The data was collected by library research and field study. The data sources are catalogs of Sundanese manuscripts in various libraries, museums, universities, and communities. The research concludes that the formal structure was built in 289 stanzas of Pupuh (a kind of Sundanese traditional canto or poetry that has clear sentence pattern) with eight turns. The order of application starts from Pupuh Asmarandana one time, Pupuh Sinom two times, Pupuh Kinanti one time, Pupuh Pangkur three times, Pupuh Dangdanggula three times, Pupuh Durma one time, Pupuh Magatru one time, and Pupuh Mijil one time. The Wawacan Sulanjana story content is a literary genre. It has formal and narrative structures, a typical of wawacan. Its central theme illustrates the harmonization of ecological system covering environment, humans, and animals. The storyline is arranged in a straight plot, starting from beginning-middle-end that is embodied in expression-complication-climax-denouementcompletion. The plot is depicted with causal relationship, logical relationship, with role axiom of each character. The characters are classified into the protagonist: Sulanjana; and the antagonists: Sapi Gumarang, Sangkalabuat, and Budugbasu. The story background is the Pakuan Royal Palace, the sky (the atmosphere), rice fields and other fields, as well as the Cemetery of Nyi Pohaci. Tradition and transmission (inheritance and transmission) of manuscript writing and copying in ancient days is line with the development of the local cultural wisdom values of
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苏梅当县贾蒂格德坝区古巽他语手稿的文献记录与音译(语言学与民族教育学研究)
本文报道了苏梅当县贾蒂格德坝区巽他人古手抄本的研究结果。它描述了瓦瓦坎体裁手稿的音译和形式和叙事结构的形成的结果。第一年的对象是瓦瓦坎苏兰贾纳手稿的音译,从佩贡阿拉伯语变成拉丁字母。本研究采用描述性研究方法。它描述了wawaacan的物理特性、内容和音译结果。资料是通过图书馆调查和实地调查收集的。数据来源是各种图书馆、博物馆、大学和社区的巽他语手稿目录。研究认为,《普普》(一种Sundanese传统的诗章或诗歌,句式清晰)的正式结构是由289节八转构成的。使用的顺序从Pupuh Asmarandana开始,Pupuh Sinom两次,Pupuh Kinanti一次,Pupuh Pangkur三次,Pupuh Dangdanggula三次,Pupuh Durma一次,Pupuh Magatru一次,Pupuh Mijil一次。Wawacan Sulanjana故事内容是一种文学体裁。它有正式的和叙事的结构,是典型的瓦瓦坎语。它的中心主题阐述了生态系统的和谐,包括环境、人类和动物。故事情节的安排是直线型的,从开始到中间结束,表现为表达-复杂-高潮-结局-完成。故事情节以因果关系、逻辑关系、每个人物的角色公理来描述。人物分为:主人公:苏兰嘉娜;以及它们的对手:Sapi Gumarang, Sangkalabuat和Budugbasu。故事背景是帕关皇宫、天空(大气)、稻田等田野,以及尼布哈奇墓地。传统与传承(继承与传承)的抄写和抄写在古代是符合当地文化发展的智慧价值观
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