Holocaust Parody in Israeli Popular Culture

Liat Steir-Livny, Maria V. Semykolennykh
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Abstract

For many years, Israeli culture recoiled from dealing with the Holocaust from a humorous perspective. The perception was that a humorous approach to the Holocaust might threaten the sanctity of its memory, or evoke feelings of disrespect towards the subject, and hurt the survivors’ feelings. Official agents of Holocaust memory continue to use this approach, but from the 1990s a new unofficial path of memory began taking shape in tandem with it. It is an alternative and subversive path that seeks to remember – but differently. Texts that combine the Holocaust with parody of various characters related to Nazism and Israeli Holocaust commemoration are a major aspect of this new memory. This article analyzes examples of Holocaust parody in Hebrew. It shows that Holocaust parody in Israel is directed at the average Jewish-Israelis due to their intense Holocaust awareness; public figures, politicians and collective memory agents who manipulate Holocaust commemoration and Hitler’s image. The texts are analyzed through theories of collective trauma, humor and parody. Contrary to perceptions that Holocaust humor and parody disrespects the Holocaust and its survivors, this article maintains that Holocaust parody in Israel proves the great extent to which the Holocaust is a living part of the identity of the young generation and is also used as a tool to protest against the distortions in Holocaust commemoration.
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以色列流行文化中的大屠杀恶搞
多年来,以色列文化一直不愿从幽默的角度来看待大屠杀。人们的看法是,以幽默的方式对待大屠杀可能会威胁到其记忆的神圣性,或引起对该主题的不尊重,并伤害幸存者的感情。大屠杀记忆的官方机构继续使用这种方法,但从20世纪90年代开始,一种新的非官方记忆方式开始形成。这是另一种颠覆性的道路,它寻求回忆——但与以往不同。将大屠杀与模仿与纳粹主义和以色列大屠杀纪念有关的各种人物结合起来的文本是这种新记忆的一个主要方面。本文分析了希伯来语中对大屠杀的恶搞。这表明,以色列的大屠杀恶搞是针对普通犹太以色列人的,因为他们有强烈的大屠杀意识;公众人物、政治家和操纵大屠杀纪念活动和希特勒形象的集体记忆代理人。通过集体创伤理论、幽默理论和戏仿理论对文本进行分析。与人们认为大屠杀幽默和戏仿不尊重大屠杀及其幸存者的看法相反,本文认为,以色列的大屠杀戏仿证明,大屠杀在很大程度上是年轻一代身份的一个活生生的组成部分,也被用作抗议大屠杀纪念活动中歪曲事实的工具。
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