Paradoxes in Typeface Design for creating new Digital Design Experience

Amic G. Ho
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Abstract

Generally speaking, the paradox of design elements brought about by visual conflict can attract people's attention. Many designers apply similar ideas to their work. However, seldom do designers investigate the reasons behind the paradox of typography, as well as the approaches to creating this contradiction. The research question of this study refers to how the paradox of typography work for communication. The function of typography is not only to deliver messages but also to serve as the foundation for compositional communication. Letterforms were regarded as one of the most valuable graphic elements as they worked as the representations of language and organising type to serve multiple roles within a composition. This paper focuses on the experience of emotions created by typographic design, in particular, it also suggested an example to demonstrate how the experience of typographic designing related to the paradox of typography, built a hypothesis of why these may impact one another. Thus, the finding of this study provide a richer understanding of the design and the development of design projects.
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字体设计中的悖论:创造新的数字设计体验
一般来说,视觉冲突带来的设计元素的悖论可以吸引人们的注意力。许多设计师将类似的想法应用到他们的工作中。然而,很少有设计师调查排版悖论背后的原因,以及创造这种矛盾的方法。本研究的研究问题是关于排版的悖论如何为沟通工作。排版的功能不仅是传递信息,而且是构成交流的基础。字母形式被认为是最有价值的图形元素之一,因为它们作为语言和组织类型的表示,在构图中扮演多种角色。本文着重探讨了排版设计所带来的情感体验,并举例说明了排版设计的体验与排版悖论之间的关系,并提出了为什么两者会相互影响的假设。因此,本研究的发现提供了更丰富的理解设计和设计项目的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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