La pratique intertextuelle dans A Rebours de Joris-Karl Huysmans

Augustin Nombo
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Abstract

A rebours by Joris-Karl Huysmans is understood on the scriptural and aesthetic level as the privileged place of discursive interactions and all forms of interculturality. Textuality only makes sense in the rapprochement of writing and reading, as well as in the deployment of pictorial and artistic discourse. Thus, we propose to study in this article this textual phenomenon from two relations of co-presence, namely, reference and quotation. Then, we will draw out its meanings, showing precisely in what way the intertextual practice would be for Joris-Karl Huysmans a quest at the same time spiritual, intellectual and artistic. Keywords: Intertextuality, Reference, quotation, des Esseintes, A rebours.
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乔里斯-卡尔·休斯曼的《反向》中的互文实践
尤里斯-卡尔·休斯曼的作品在圣经和美学层面上被理解为话语互动和各种形式的跨文化的特权场所。文本性只有在书写和阅读的和谐相处中,以及在绘画和艺术话语的部署中才有意义。因此,本文拟从“参”与“引”两种共现关系来研究这一文本现象。然后,我们将得出它的意义,准确地显示出互文实践对乔里斯-卡尔·休斯曼来说是一种精神、智力和艺术的探索。关键词:互文性,引用,引语,本质,反讽
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