{"title":"‘Don't educate them out of educating themselves’: A conversation with Al Wunder","authors":"Anton Krueger, Albert Wunder","doi":"10.5920/pam.1005","DOIUrl":null,"url":null,"abstract":"Al Wunder's biography, in his own words: I had four lucky breaks that precipitated my becoming a teacher of improvised movement theatre. Between the ages of eight and fourteen I broke my right leg four different times. In 1962, I began modern dance classes with Alwin Nikolais as a physical therapy. His choreography and improvisation sections of class inspired me to teach and perform professionally. I spent eight years studying, teaching, choreographing, and performing with Nikolais.1970 saw me move to the San Francisco Bay area where I opened a dance studio teaching Nikolais dance technique and improvisation. In 1971, I joined forces with Terry Sendgraff and Ruth Zaporah creating The Berkeley Dance Theater & Gymnasium. My focus was to create a way to teach dance technique through improvisation. I met my Australian wife, Lynden Nicholls, in 1981 when she came to study Motivity at Terry’s studio in Berkeley. In 1982, I moved to Melbourne, Australia where Lynden and I set up a dance studio. My focus changed from teaching dance technique improvisationally to teaching improvised movement theatre performance.Over the next thirty years I developed a pedagogy that inspired professional and non-professional performers to create improvised movement theatre pieces. In 2006, I self-published a book, The Wonder of Improvisation. In 2017, a documentary was made by Michelle Dunn, The Wonder of Improvisation. In 2021, a book was written by Hilary Elliott and published by Routledge, The Motional Improvisation of Al Wunder.","PeriodicalId":365622,"journal":{"name":"Improvisation Special Issue","volume":"196 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Improvisation Special Issue","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5920/pam.1005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Al Wunder's biography, in his own words: I had four lucky breaks that precipitated my becoming a teacher of improvised movement theatre. Between the ages of eight and fourteen I broke my right leg four different times. In 1962, I began modern dance classes with Alwin Nikolais as a physical therapy. His choreography and improvisation sections of class inspired me to teach and perform professionally. I spent eight years studying, teaching, choreographing, and performing with Nikolais.1970 saw me move to the San Francisco Bay area where I opened a dance studio teaching Nikolais dance technique and improvisation. In 1971, I joined forces with Terry Sendgraff and Ruth Zaporah creating The Berkeley Dance Theater & Gymnasium. My focus was to create a way to teach dance technique through improvisation. I met my Australian wife, Lynden Nicholls, in 1981 when she came to study Motivity at Terry’s studio in Berkeley. In 1982, I moved to Melbourne, Australia where Lynden and I set up a dance studio. My focus changed from teaching dance technique improvisationally to teaching improvised movement theatre performance.Over the next thirty years I developed a pedagogy that inspired professional and non-professional performers to create improvised movement theatre pieces. In 2006, I self-published a book, The Wonder of Improvisation. In 2017, a documentary was made by Michelle Dunn, The Wonder of Improvisation. In 2021, a book was written by Hilary Elliott and published by Routledge, The Motional Improvisation of Al Wunder.
Al Wunder的传记,用他自己的话说:我有四次幸运的机会,促使我成为一名即兴运动戏剧老师。在8岁到14岁之间,我的右腿摔断了四次。1962年,我开始和阿尔文·尼古拉一起上现代舞课,作为一种物理疗法。他的编舞和即兴表演部分启发了我的专业教学和表演。我花了八年的时间和尼古拉斯一起学习、教学、编舞和表演。1970年,我搬到了旧金山湾区,在那里我开了一家舞蹈工作室,教授尼古拉斯的舞蹈技巧和即兴表演。1971年,我与Terry Sendgraff和Ruth Zaporah合作创建了伯克利舞蹈剧院和体育馆。我的重点是创造一种通过即兴表演来教授舞蹈技巧的方法。1981年,我遇到了我的澳大利亚妻子林登·尼科尔斯(Lynden Nicholls),当时她来到特里位于伯克利的工作室学习动力。1982年,我搬到了澳大利亚的墨尔本,在那里我和林登建立了一个舞蹈工作室。我的重点从教授即兴舞蹈技巧转向教授即兴动作戏剧表演。在接下来的三十年里,我发展了一种教学法,激励专业和非专业的表演者创作即兴的运动戏剧作品。2006年,我自己出版了一本书,《即兴创作的奇迹》。2017年,米歇尔·邓恩制作了一部纪录片《即兴创作的奇迹》。2021年,希拉里·艾略特写了一本书,由劳特利奇出版社出版,名为《人工奇迹的情感即兴创作》。