Perdersi ne La foresta-radice-labirinto. Calvino e la pedagogia del paesaggio per bambini

Anna Małgorzata Brysiak
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Abstract

The paper examines La Foresta-Radice-Labirinto (1981), a fairy tale which is one of Italo Calvino’s latest and lesser known works. In what can be regarded as his testament, Calvino looks back on and revives the ecological commitment of his literary production and his attention to the complex relationship between nature and culture, which has been a prominent leitmotif of his writings (from The Baron in the Trees to The Cloud of Smog, and from the adventures of Marcovaldo to the Invisible Cities). The paper offers a detailed symbological and eco-critical analysis of the text, in order to examine an ‘ecology of mind’ as developed by Calvino, invariably sensitive to hybridisation and to the ongoing and often difficult relation between historical and environmental mutations. In doing so, the paper lists and explores the construction of images-icons and figures-types that make up what Calvino calls ‘a pedagogy of imagination’. The paper focuses on Calvino’s dedication to education through fairy tales as a primary form of experience, capable of conveying universal messages to a young readership, and on his longing for an authentic exposure to the environment, where getting lost means finding oneself and where chaos leads to a new order, founded on an ethical search for a more harmonious union of city, human beings and nature.
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迷失在迷宫迷宫中。卡尔维诺和儿童景观教育学
本文考察了伊塔洛·卡尔维诺最新的、知名度较低的童话作品《森林-拉迪丝-拉比里托》(1981)。卡尔维诺回顾并重新审视了他文学创作中的生态承诺,以及他对自然与文化之间复杂关系的关注,这是他作品的一个突出主题(从《树上的男爵》到《烟雾之云》,从《马可瓦尔多的冒险》到《看不见的城市》)。本文对文本进行了详细的符合学和生态批判分析,以检验卡尔维诺发展的“心灵生态”,对杂交和历史与环境突变之间持续的、经常困难的关系始终敏感。在此过程中,本文列出并探讨了构成卡尔维诺所谓的“想象教学法”的图像-图标和人物-类型的构建。本文关注的是卡尔维诺对教育的奉献,他将童话作为一种主要的体验形式,能够向年轻的读者传达普遍的信息,以及他对真实暴露于环境的渴望,在这种环境中,迷失意味着找到自我,混乱导致新的秩序,建立在对城市、人类和自然更和谐的伦理探索之上。
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