{"title":"Unmaking and Remaking the World in Long-Term Solitary Confinement","authors":"Lisa Guenther","doi":"10.5840/SOCPHILTODAY201871659","DOIUrl":null,"url":null,"abstract":"In The Body in Pain, Elaine Scarry analyzes the structure of torture as an unmaking of the world in which the tools that ought to support a person’s embodied capacities are used as weapons to break them down. The Security Housing Unit (SHU) of California’s Pelican Bay State Prison functions as a weaponized architecture of torture in precisely this sense; but in recent years, prisoners in the Pelican Bay Short Corridor have re-purposed this weaponized architecture as a tool for remaking the world through collective resistance. This resistance took the form of a hunger strike in which prisoners exposed themselves to the possibility of biological death in order to contest the social and civil death of solitary confinement. By collectively refusing food, and by articulating the meaning and motivation of this refusal in articles, interviews, artwork, and legal documents, prisoners reclaimed and expanded their perceptual, cognitive, and expressive capacities for world-making, even in a space of systematic torture.","PeriodicalId":240199,"journal":{"name":"Journal of Critical Phenomenology","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Critical Phenomenology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/SOCPHILTODAY201871659","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In The Body in Pain, Elaine Scarry analyzes the structure of torture as an unmaking of the world in which the tools that ought to support a person’s embodied capacities are used as weapons to break them down. The Security Housing Unit (SHU) of California’s Pelican Bay State Prison functions as a weaponized architecture of torture in precisely this sense; but in recent years, prisoners in the Pelican Bay Short Corridor have re-purposed this weaponized architecture as a tool for remaking the world through collective resistance. This resistance took the form of a hunger strike in which prisoners exposed themselves to the possibility of biological death in order to contest the social and civil death of solitary confinement. By collectively refusing food, and by articulating the meaning and motivation of this refusal in articles, interviews, artwork, and legal documents, prisoners reclaimed and expanded their perceptual, cognitive, and expressive capacities for world-making, even in a space of systematic torture.
在《痛苦的身体》一书中,伊莱恩·斯卡里分析了酷刑的结构,将其视为世界的一种破坏,在这种破坏中,本应支持一个人的具体能力的工具被用作摧毁这些能力的武器。加州鹈鹕湾州立监狱(Pelican Bay State Prison)的安全住房单元(SHU)正是在这种意义上充当了酷刑的武器化建筑;但近年来,鹈鹕湾短走廊的囚犯们把这个武器化的建筑重新利用起来,作为一种通过集体抵抗来改造世界的工具。这种抵抗采取了绝食的形式,囚犯将自己暴露在生物死亡的可能性中,以反对单独监禁造成的社会和公民死亡。通过集体拒绝食物,并在文章、采访、艺术品和法律文件中阐明这种拒绝的意义和动机,囚犯们重新获得并扩展了他们的感知、认知和表达能力,以创造世界,即使是在一个系统折磨的空间里。