Twórczość Jarosławy Pulinowicz jako przykład dramaturgii zaangażowanej

Paulina Charko-Klekot
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Abstract

The article presents the description of the work of Yaroslava Pulinovich, the representative of the young generation of contemporary Russian dramaturgy. The plays of the Russian playwright are interpreted in the context of the involvement of drama and theatre in social issues. Using the concept of political quality of art of Jacques Rancière, according to which art aims to discuss social problems, the author of the article attempts to show that the work of Pulinovich falls into the definition of engaged art that involves full participation in the social life and involves the artist and the viewer in the problems of the surrounding reality. The research material that has been used is the majority of the playwright’s works, both her wellknown works such as Natasha’s dream, Zhanna or Eliza’s Land, as well as lesser-known works (Chemistry teacher, He’s gone without a word and other).
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雅罗斯瓦娃-普利诺维奇的作品是参与式戏剧创作的典范
本文介绍了俄罗斯当代戏剧年轻一代的代表人物雅罗斯拉夫·普利诺维奇的作品。俄罗斯剧作家的戏剧是在戏剧和剧院参与社会问题的背景下解读的。利用雅克·朗西的艺术的政治品质的概念,根据艺术旨在讨论社会问题,文章的作者试图表明,普利诺维奇的工作属于参与艺术的定义,涉及到充分参与社会生活,并涉及到艺术家和观众在周围的现实问题。所使用的研究材料是大部分剧作家的作品,既有她的著名作品,如娜塔莎的梦,Zhanna或Eliza的土地,也有不太知名的作品(化学老师,He 's gone without a word等)。
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