‘The Courage to Advertise’: Cultural Tastemakers and ‘Journals of Opinion’

C. Clay
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Abstract

This chapter examines a key period in the growth and development of Time and Tide highlighted by its size and price increase in 1928. Exploring Time and Tide’s increased use of illustration, the relationships it developed with a new set of advertisers, and a strategic alliance it forged with the Nation and Athenaeum, the chapter shows how this modern magazine capitalised on contemporary debates about the future of the press and successfully rebranded itself as a leading general-audience weekly review competitive with the New Statesman. The chapter further argues that Time and Tide’s increased emphasis on books following its ‘literary turn’ in 1928 was a key strategy in moving the magazine out of the ‘women’s paper’ category and into the ranks of the intellectual weeklies. At the same, its participation in the cultures of literary celebrity continued to serve a feminist agenda in its promotion of women writers (modernist and middlebrow) as well as the work of female critics such as the periodical’s own director and contributor Rebecca West.
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“广告的勇气”:文化潮流的引领者和“观点期刊”
本章考察了《时代与潮流》成长和发展的一个关键时期,1928年它的规模和价格都有所增加。探索《时代与潮流》越来越多地使用插图,它与一组新的广告商建立的关系,以及它与《民族》和《雅典娜》建立的战略联盟,这一章展示了这本现代杂志如何利用当代关于新闻界未来的辩论,成功地将自己重新定位为与《新政治家》竞争的领先的普通读者周刊。这一章进一步指出,《时代与潮流》在1928年“转向文学”之后,对书籍的重视程度不断提高,这是使该杂志脱离“女性报纸”类别、跻身知识分子周刊行列的关键策略。与此同时,它对文学名人文化的参与继续为女权主义议程服务,促进了女性作家(现代主义和中产阶级)的发展,也促进了女性评论家的作品,比如期刊自己的导演和撰稿人丽贝卡·韦斯特。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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