The ‘Slate Ode’

Andrew Kahn
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Abstract

The focus of this chapter is the ‘Slate Ode’ (1922). Widely regarded as one of the greatest poems in Russian, it has been read primarily as a subtextual palimpsest. The reading given in this chapter embeds the poem in a set of overlapping contexts, tracing the poem’s utopian language to the value systems of utopian socialist thought in which Mandelstam was steeped; situating it in the context of the Russian reception of Nietzsche, a key thinker for many Russian revolutionaries whose vision in the Genealogy of Morals of a new morality Mandelstam’s poem enacts; exploring its link to New Economic Policy discussion of the primitive economy and natural communism mirrored in the poem, as well as its connection to other thought systems such as mythical ideas of return and a vision of society that replicates the morality of early Christians. Psychological division marks the voice of the speaker who in these new conditions interrogates the sources of poetry and the poet’s own authority. Far from assuming that he can speak with the vatic certainty of the poet-lawgiver of the nineteenth-century Romantic tradition, the first-person speaker delves into the language of the unconscious and Orphic tradition.
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《石板颂》
本章的重点是《石板颂》(1922)。它被广泛认为是俄罗斯最伟大的诗歌之一,主要被视为潜台词重写本。本章给出的阅读将这首诗嵌入到一组重叠的语境中,将这首诗的乌托邦语言追溯到曼德尔施塔姆所浸淫的乌托邦社会主义思想的价值体系;将其置于俄国对尼采的接受的背景下,尼采是许多俄国革命者的关键思想家,他在《道德谱系》中设想了一种新的道德,曼德尔施塔姆的诗创造了这种道德;探索它与新经济政策的联系,讨论了诗歌中反映的原始经济和自然共产主义,以及它与其他思想体系的联系,如神话般的回归观念和复制早期基督徒道德的社会愿景。心理分裂标志着说话者的声音,他在这些新的条件下质问诗歌的来源和诗人自己的权威。这位第一人称说话者并没有假设他能像十九世纪浪漫主义传统的诗人立法者那样,以绝对的确定性说话,而是深入研究了无意识和奥尔弗斯传统的语言。
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