Conceptul de vid in arta modernă şi contemporană / Concept of Void in Modern and Contemporary Art

Ana Giulia Delcea
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Abstract

e Void is a fundamental notion in the tradition of milenary wisdom that dessignates Nothingness, Non-being or those determinations that are opposed to existence. Vacuity or the Void is a central ontological category to many philosophical sistems and spiritual traditions (budism, platonism, early mystical christianity, Hegel’s philosophy). Many physicists including Harold Aspen, Paul Dirac, Shiuji Inomata and omas Bearden have postulated the existance of void as a real energetic "eld. is article o#ers a short description of the traditional chinese painting that was viewed as a philosophy that combines symbols and cosmic elements to express the soul and inner movements of creation. e void in chinese paintings represents the space that is not created, or the space that was not touched by ink, often depicted as clouds, fog, water Fig.1. Artists of the artistic avangard of XX century are included, such as: Kazimir Malevici, Piet Mondrian, Paul Klee, Mark Rothko, Yves Klein, Barnett Newman, contemporary artist Anish Kapoor, Lee Ufan. ey explored new ways, new regions, they found new possibilities to create and express the unseen and the space that is behind existence and sustains it. ese are part of the artists that have created works of art by destroing the object into art, with the purpose to bring closer the art to the inner truth of conscience, reaching to total abstraction the art is absorbed by the life of spirit that animates all creation. ey had the intuition that reality is not what is seems, and it is much more than we are able to perceive, it is mysterious, animated by the vital breaths1, and so the painting becomes a microcosmos that mirrors the macrocosmos.
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概念上的现代主义当代主义/现当代艺术中的空虚概念
空是千年智慧传统中的一个基本概念,它指的是虚无、非存在或那些与存在相对立的决定。虚空是许多哲学体系和精神传统(佛教、柏拉图主义、早期神秘基督教、黑格尔哲学)的中心本体论范畴。包括Harold Aspen, Paul Dirac, Shiuji Inomata和omas Bearden在内的许多物理学家都假设空是一个真正的能量“场”。他的文章是对传统中国画的简短描述,中国画被视为一种结合符号和宇宙元素来表达创作灵魂和内在运动的哲学。中国画中的空指的是没有被创造出来的空间,或者是没有被水墨触及的空间,通常被描绘成云、雾、水。包括20世纪艺术先锋艺术家,如:Kazimir malevevi, Piet Mondrian, Paul Klee, Mark Rothko, Yves Klein, Barnett Newman,当代艺术家Anish Kapoor, Lee Ufan。他们探索新的方式,新的区域,他们发现了新的可能性来创造和表达看不见的东西和存在背后的空间,并维持着它。Ese是艺术家的一部分,他们通过将物体摧毁为艺术来创造艺术作品,目的是使艺术更接近良心的内在真理,达到完全抽象,艺术被赋予所有创造活力的精神生命所吸收。我有一种直觉,那就是现实并不是我们所看到的那样,它比我们所能感知的要多得多,它是神秘的,被生命的呼吸所激活,所以这幅画就变成了一个反映宏观世界的微观世界。
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