Soumission, le roman de la conversion Houellebecq, le réel et la fiction

L. Padovani
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Abstract

Houellebecq’s fiction isdiscussed, contested and critiqued, not only as a series of aesthetic objects but alsoin political, ideological or moral terms. This contribution is an invitation to thinkabout the centre of gravity inthe triangle of realism-fiction-authority in Submission, Michel Houellebecq’smost controversial novel. We advancethe hypothesis that Islam in Submissionhasa fictional function analogous to that of post-humanism in Atomised.That would be essentially a matter of surface, provocation to draw attention to an older deeper crisis. This crisis would be that of Western civilization, onethatFrance willnot escapefrom, characterizedby a process of generalized«untying», or even«disintegration» of « values»and the world that they formed.
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提交,Houellebecq的转换小说,真实与虚构
Houellebecq的小说不仅作为一系列审美对象,而且在政治、意识形态或道德方面受到讨论、争议和批评。这篇文章邀请我们思考米歇尔·维勒贝克最具争议的小说《屈服》中现实主义-小说-权威三角关系的重心。我们提出了一个假设,即《屈服》中的伊斯兰教具有类似于《原子化》中的后人文主义的虚构功能。这基本上是一个表面问题,是为了引起人们对更深层次的危机的关注。这种危机将是西方文明的危机,法国将无法逃脱,其特征是“价值”及其所形成的世界的普遍“解开”,甚至“瓦解”过程。
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Dérives identitaires déclinaisons de l’engagement littéraire au XXIe siècle. La modernité un projet inachevé Une France islamisée issue ou impasse ? À travers Soumission de Michel Houellebecq Le portrait dystopique de « la France qui vient » dans Jamais de guerre civile le mardi d’Yves Bourdillon José Domingues de Almeida Le polar « de banlieue » comme scène de déploiement du malaise social français le cas des romans « dyonisiens » de Rachid Santaki Satire, points de vue et déradicalisation dans Moi, Khaled Kelkal de Salim Bachi
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