EMULATION TO THE NATURE IN BASIC DESIGN EDUCATION OF LANDSCAPE ARCHITECTURE

B. Bekçi, Ç. Bogenç
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Abstract

Aim: The main purpose of the study is to create a recreational spatial organization with basic design elements and principles by emulating nature in increasing visual literacy. With this study, it was aimed to stimulate students' imagination and make them design spatial organization by emulating geological rock sections in sustainable design approaches of rural landscape areas. Method: The process of producing solutions to the design problem given was carried out by using (i) 14-week basic design training, (ii) taking thin samples from geological rocks for petrographical studies, and (iii) the analogical thinking method which was the inspiration of Goldschmidt and Smallov (2006) and Cardoso and Badke-Schavub (2011) for the transformation of their ideas into forms. Findings: By analyzing the concepts related to the given problem, the solution of the design problem began, and the designers’ abstract ideas were concretized and handled within the framework of the concept. Students, who received the subject of study during the design process, completed the product they prepared in line with the basic design education they received in order to obtain a product from the concept whichthey created in their mind by emulating geological rock sections. The process was successfully completed by adding something to the obtained product, removing something from the obtained product, and combining something with the obtained product in this process. Result: The ability to have a versatile perspective in design education, which finds common ground forart and architecture education, is vital. This study showed that in architectural education, the design process can collaborate with different disciplines and that the products may be unique and sensitive to ecosystem services.
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景观设计基础教育中对自然的模拟
目的:研究的主要目的是通过模仿自然,创造一个具有基本设计元素和原则的休闲空间组织,以提高视觉素养。通过本研究,旨在激发学生的想象力,让他们在乡村景观区可持续设计方法中通过模拟地质岩石剖面来设计空间组织。方法:设计问题的解决过程是通过以下方法进行的:(i) 14周的基本设计训练,(ii)从地质岩石中提取薄样本进行岩石学研究,(iii)类比思维方法,这是Goldschmidt和Smallov(2006)和Cardoso和Badke-Schavub(2011)的灵感,将他们的想法转化为形式。发现:通过分析与给定问题相关的概念,开始了设计问题的解决,设计师的抽象想法在概念的框架内具体化和处理。在设计过程中获得研究课题的学生,根据他们所接受的基础设计教育,完成了他们所准备的产品,以便通过模拟地质岩石剖面,从他们脑海中创造的概念中获得产品。在此过程中,通过向获得的产品添加某些东西,从获得的产品中删除某些东西,以及将某些东西与获得的产品结合,成功地完成了该过程。结果:在设计教育中拥有多方位视角的能力,找到艺术和建筑教育的共同点,是至关重要的。该研究表明,在建筑教育中,设计过程可以与不同学科合作,产品可能是独特的,对生态系统服务敏感。
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