Рецепция ренессансной поэмы Песня о зубре Николая Гусовского в Беларуси и проблемы её перевода

Larisa Poutsileva
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Abstract

In the modern multi-linguistic concept of Belarus culture, neo-latin poetry represents an important component. The inclusion in the 1960s of the Latinist poet Nikolai Gusovskij, alongside other Renaissance poets, in Belarusian literature contributed to the growth of the national consciousness of the Russified and Sovietized Belarusians. However, the first translations of The Poem of the Bison in Belarusian and Russian, which showed clear signs of a tendentiousness aimed at adapting the text to the socio-political situation of Soviet times, remain canonical, despite the presence of new translations.
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这首文艺复兴时期的诗歌的食谱是关于白俄罗斯的祖布拉·尼古拉·古索夫斯基的,以及翻译的问题
在白俄罗斯文化的现代多语言概念中,新拉丁诗歌是一个重要组成部分。20世纪60年代,拉丁主义诗人尼古拉·古索夫斯基(Nikolai Gusovskij)与其他文艺复兴时期的诗人一起被纳入白俄罗斯文学,这有助于俄罗斯化和苏维埃化的白俄罗斯人的民族意识的增长。然而,尽管出现了新的译本,《野牛之诗》在白俄罗斯文和俄文的第一批译本仍然是经典的,它们显示出明显的倾向,目的是使文本适应苏联时代的社会政治形势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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